A Study On The Color Image Of "Ramming Figure"

This paper intends to discuss the theme from two chapters: the first chapter combs the historical origin of the "Lian Shi" and the traditional Chinese aesthetics,"image" in the literature,music,painting and other fields.As one of the basic categories of Chinese traditional aesthetics,"image" is an ancient aesthetic proposition.Color is an integral part of the language of traditional painting,Chinese painting in ancient times it was called "Dan",emphasizing the color depicted images,and China painting color view of philosophy,China painting color with image characteristics.Symbolic,decorative,design sense is the three characteristics of the color image of the Chinese character painting,which is embodied in the Song Dynasty "ramming figure".This paper intends to discuss the theme from two chapters: the first chapter is to sort out the historical origin and the concept system of image color.First,a brief introduction of "Dao Lian map" the author and the background of the times,and the general situation of the Song Dynasty copy as;secondly,the background and meaning of the image is introduced,the philosophy behind the concept is explained.In the Tang Dynasty,the art was highly developed,and the figure painting was unprecedentedly developed and perfected.Since the Tang Dynasty fine brushwork figure painting is difficult to achieve such a high degree,although the technology is still in development,but the Tang Dynasty that kind of magnanimity in the screen has been difficult to reproduce.In the second chapter,the author analyzes the characteristics of the color image of the "Dao Lian figure",namely,the symbolic,decorative and design sense.In the contemporary cultural and artistic prosperity and development situation,deep research on color image,to learn and inherit the traditional painting in the China essence and develop contemporary meticulous figure painting development has a long-term significance.