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Explore The Stage Representation Of Minnan Traditional Dance

Posted on:2016-12-05Degree:MasterType:Thesis
Country:ChinaCandidate:H F HeFull Text:PDF
GTID:2335330512965640Subject:Dance studies
Abstract/Summary:PDF Full Text Request
Minnan folk dance is developed from the fusion of the region particularity and absorption of multiple types of dance here, and there’remainly three great sources:the native aboriginal culture, the central plains culture for different periods, the ocean civilization culture in differentdistricts. They formed the overall pattern of "Minnan dance" in Fujian coastal areas, especially in the southern coastal areas and the south ofTaiwan Provence. Chinese National Folk Dance Integration · Fujian volume recorded more than 200 categories dance, the overall style is mainly embodied in the "Clap breast dance", "Swing ball dance", "Suo luo lian" and "Huo ding dance", "Tai si jiao dance", "Che Gu dance", "Da gu liang san" and "Tiao gu dance", "Qian gu dance", "Zhu ma deng", "Guai zhang dance" and so on.The author spent more than two years collecting Minnan folk dance and learning from the intangible cultural heritage people, classifying the collected action material into the basic form of movement, rhythm and movement law through professional knowledge. The author tried to think hard about tradition and now, heritage and protection problems. How to make the original ecological movements appear on the stage and have thedance stage art form, not only possess a lively dance stage image that is Fujian characteristic, but also make the dancer love it and the audience can accept. The author considered variously about what she should do andshe may be capable of. The author set up to a whole 45 minutes of sixMinnan folk dances for creation object, combined with school students practical ability of traditional dance, applied contemporary dance stage art thinking to make original traditional dance suit contemporary stage dance performance and contemporary aesthetic taste’s dance works. The design of a party is more simple than its specific operation, especially how to make modern students like this dance and like traditional dances throughthis work are very hard, but the author transformed the original ecological action with the tradition of "modern representation" can be regarded as a very effective method.
Keywords/Search Tags:Minnan dance, heritage protection, creative techniques, transformation of innovation
PDF Full Text Request
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