| “Still life” originally appeared in the western painting subjects, and traditional Chinese painting could be divided into three parts: landscape paintings, flower-bird paintings and figure paintings. When studied the still life form of expression in traditional Chinese painting, it could be found the form in the scene of figure paintings and flower-bird paintings. From the primitive period of painted pottery, and during the Qin and Han dynasty’s silk painting, lacquer painting, until tang dynasty’s figure painting, still life always played a supporting role. During the five dynasties, song dynasty and flower-bird painting, still life was the model in the painting form of expression.In the ancient 《year old figure》,still life appeared in the traditional Chinese painting as the main part. The affection between modern art culture of China and the West made still life more progress in the expression of traditional Chinese painting. Lin Fengmian opened up the new way for the development of the art connecting of China and the West. Liu Jinan reinvested still life a new progress through exploring the expression of ink painting still life. With the developing of the art painting, still life would be given more areas of advancement.The theses would analysis still life that appeared in different periods. Organized all kinds of still life, these subjects would be used as the function of the transformation. |