On The Development Of Large Freehand Bird And Flower Painting To Contemporary Students

The independence of bird-and-flower paintings first appeared in Tang Dynasty.The first appeared bird-and-flower paintings mostly are realistic.With the development of bird-and-flower painting,it slowly changed to painting works of bird-and-flowers by means of vigorous freehand brushwork.In the long history,the formation of painting works of bird-and-flowers by means of vigorous freehand brushwork in traditional Chinese is not by accident,but has its unique origin and development.The aesthetic value and cultural value of bird-and-flowers by means of vigorous freehand brushwork attracts the painter’s constantly ponder and creation.This article analysis the bird-and-flowers by means of vigorous freehand brushwork from the time line and horizontal comparison,in order to achieve the understanding about bird-and-flowers by means of vigorous freehand brushwork for contemporary students,furthermore,in some degree,hope it can improve the development of bird-and-flowers by means of vigorous freehand brushwork.This article turns into four main parts.Chapter one mainly analyses the historical importance of bird-and-flowers by means of vigorous freehand brushwork,discusses the influences of bird-and-flowers by means of vigorous freehand brushwork and its aesthetic role in its social cultural value.Chapter two mainly discusses the development situation and market position of bird-and-flowers by means of vigorous freehand brushwork.First discusses the development history and status quo of bird-and-flowers by means of vigorous freehand brushwork in modern times,secondly discusses the social and economic development to the bird-and-flowers by means of vigorous freehand brushwork influence,and analyzes the contemporary painting the proportion of different varieties of paintings in the market.Chapter three analyses the importance about different form of bird-and-flowers by means of vigorous freehand brushwork in our country,which including the aesthetic effect of traditional Chinese painting,the focus of the students to learn Chinese painting when cognitive,grasp and painting and modern society atrophy of the bird-and-flowers by means of vigorous freehand brushwork;Secondly discusses the contemporarysociety students to recognize the value of the bird-and-flowers by means of vigorous freehand brushwork,and analyzed along with the social development,the different manifestations of bird-and-flowers by means of vigorous freehand brushwork,secondly discusses the contemporary students to the characteristics of the bird-and-flowers by means of vigorous freehand brushwork some deviation in understanding and correct training method,and probes into the people’s quality of spiritual demand and the connection between the painting development.Chapter four discusses the ways for contemporary students to adopting and develops the method of bird-and-flowers by means of vigorous freehand brushwork,and the influences by painters.Hope can through the analysis of transverse and longitudinal study for the contemporary students’ bird-and-flowers by means of vigorous freehand brushwork provide much more broad thinking,also hope that this paper can improve bird-and-flowers by means of vigorous freehand brushwork in the contemporary students,the importance of contribute to carry forward our national art.