On The Cultural Consciousness Of Chinese Painters In The 30s

This paper is based on the 1930 s China painting will be hosted by "Painting Monthly" as the main research object,reflect the cultural consciousness as the main line in the modernization of traditional Chinese painting to think Chinese painting and Painting Monthly "development" shown in the 30 s Chinese painter and make the process,using the methods of literature research and comprehensive analysis,through the concrete "look" Painting Monthly,monthly contributor and hold for the views of Chinese and Western art.From a multidimensional perspective,the theoretical research will be carried out to show the significance and academic value of the 30 s Chinese painters and Chinese Painting Monthly,and to determine their historical status.This article is divided into five parts.In the introduction,this paper expatiate the research significance and research status,but in the "Painting Monthly" necessity and significance for research center of inquiry in the 30 s issue of the cultural consciousness of Chinese painting;in the first chapter,the monthly publication of the "painting" in twentieth Century 20 s and 30 s,the cultural background is summarized and discussed that is,"Chinese culture" and carry forward the "natural" art spirit ";the second chapter,is the specific experience of the" Painting Monthly "development on the" modern business environment and the "Painting Monthly" survival strategy ";the third chapter shows the thinking and development for Chinese painter art change.And the fusion of Chinese and Western painting and Chinese painting" monthly "few controversy";the conclusion,clear the "Painting Monthly" in the new 30 s Chinese painting tradition and Renaissance Movement Significance and value of moving.