A Comparative Study Of Female Writing In Milan Kundla And Yan Geling

In recent years, after moving into the vision of researchers, Milan Kundla and Yan Geling's creation caused widespread concern and has been flourishing. The two writers exhibited respective characteristics in their creations. They had similarities and differences. Under the framework of "Female Writing", this paper analyzes Milan Kundla and Yan Geling's creation courses, literary works and the female images. The female writing characteristics of the literary creation under the influence of heterogeneous cultural context are summarized. The two novels of Kundla and Yan Geling's are taken as examples to analyze different images of women under different circumstances. It criticizes women's existence state under patriarchal system. It also reveals the regression process of the female consciousness of these female images. It starts from autonomic arousal to self-transcendence. In the aspect of narrative techniques, this paper makes comparative analysis on the two aspects of omniscient and multi angle from the perspective of two writers. This kind of technique plays an irreplaceable role in promoting the development of the story and the shaping of the characters.The thesis is divided into four chapters. The first chapter mainly discusses the definition of "Female Writing" and takes it as the theoretical basis. The second chapter is mainly on the shaping of the characters. Milan Kundla and Yan Geling both created the immigrant women images in accordance with historical background and they both focused on their living conditions. Represented by Teresa and Fuso, the two writers analyzed the common female images of the victims under the political fiction and the sufferers under the male chauvinism. However, besides the analyses of the common images, the author also analyses their differentiation in their "light" or "heavy" attitude to love, which shows the externalization of inner experience of their inner "spirit" and "flesh". In the third chapter, the two writers interpreted the awakening of female self-consciousness in the western patriarchal system and called for the natural transformation from male chauvinism to ecological female in order to achieve the purpose of the natural regression. The author also realizes that they took different ways in the process of transformation and implementation of female consciousness. In their works, Teresa adopted the way of "dream" while Fuso's used the way of "smiling". They eventually achieved the goal of the female awakening and ecology. In the fourth chapter, both these two writers wrote their essays in terms of "author inspection", that is, they went deep into the story while dissociated it, which let their writing characters and the plot be objective and true. These two writers both adopted the narrative skill of transformation of multi angle, focusing on "artistic quality" and at the same time "passing through the historical space and time", which enhanced the effect of narrative expression.The novels of Milan Kundla and Yan Geling is the literary creation in two particularly different cultures. They adroitly applied the theory of "Female Writing" to show the creation style which combines the female images and narrative skills in their works. They made a creative way in the female writing on the living conditions of the exotic women images from their own experience.