Discussing The Body Narrative Of Yan Lianke’ S Agrestic Fictions

The writer Yan Lianke is a late bloomer,his novels "Yao gou series", " Dongjing jiu liu ren wu series" and other novels did not bring expected reputation for him, until the advent of representative "Palou World Series" novels, Yan Lianke became a famous writer.His novels were published at the rate of every three or four years,and continue to win at home and abroad,among them, the "four books" won the 2014 Kafka prize, has brought a worldwide reputation and pay more attention to him.he demonstrated the peculiar imagination and creative passion in his novels.With thick and strong emotion, he cries for the farmers loudly who living in rural areas of Henan.He took the body as an aesthetic object and expressed his concern about the living conditions of rural Chinese farmers,of course,includes his understanding and worship of the labour man,and the thinking about the misery of the country.After reading all of Yan Lianke’s novels, this thesis take the "body" of Yan Lianke’s agrestic novels as the object of investigation and study, and trying to explain the body narrative of the novel from three dimensions of the body- narration and misery. First of all, the thesis tries to explore the reasons for the body narrative in Yan Lianke’s novels; focuses on three aspects, such as regional, physical memory and mental trauma, and the influence of foreign literature and writing strategies. Secondly, combines with the specific text analysis, focusing on how to interpret Yan Lianke’s novels from the perspective of the novel suffering, death and other themes; to dig out the historical and cultural connotation behind the body narrative and the cause of the suffering; and to reveal the deep concern of the writer on the sufferings of the Social bottom farmers and the philosophical thinking about the suffering. In the end, it attempts to reveal the significance of body narrative to the creation of Yan Lianke’s novels through the analysis of the narrative strategies such as extreme, feeling, image and metaphor;points out the deficiency of body narrative in Yan Lianke’s novels.This may be a useful supplement to the study of Yan Lianke.