| Taiwan film from the "new movie" periods Yang Well Tuodu Duzhi watc h Tarkovsky started to become a more independent sound art. Tower’s "Nostalgia", "Mirror" and a series of films created ethereal and delicate, and then turn the sound image of lofty divinity, hearing movie abstract to realism and extreme ultra-realistic level.Inherit the mantle of Tsai keen to capture the role of narrative voice and Communication in the human, social and other aspects of architecture and space-time three-dimensional sound system narrative. These levels are independent of each stretched theme-oriented and depth of desire- youth- loneliness- presence- time-spatial and social latitude to explore the possibilities and diversity of Scene by voice, tone, temperature, texture scheduling and texture and writing, but show the full open sound wonderful world.Sound system integrated into its narrative self Tsai pulse independent style, in which the modern and post-modern, post and disposed of reflexivity, time and space for the rich as ideographic carriers and media. While its development is not a static stubborn, during Chua film style evolving slowly but clearly visible show sound style changing track. Specifically, on the basis of objective realism, hyperrealism and gradually increase the proportion of abstract realism, the sound from the movie dependent status gradually towards independence and pluralism.Tsai Ming-liang, "Lee Kang series" Film is blooming in a strange w orld cinema eclectic flower. From Tsai sound performance with individual state, social and cultural patterns to illustrate the temporal dimension Chua film sound aesthetics, hoping to tease out the Tsai sound system to learn basic features and narrative context, Tsai Ming-liang film studies for a certain benefit. |
