Theory Of The Original Explosion Figure Of Chinese Characters Creative Inspiration

The original explosion map "is Maruki Iri and Maruki Jun 2 people of connubial by the creation of large disaster history theme paintings, is divided into 15, show during World War II American cast by the atomic bomb to the Japanese people hurt. This work twice in the Chinese exhibition, had a huge impact on China art.This paper is divided into five chapters:the first chapter gives a general understanding of the "Atomic bomb hazard map". According to the introduction, "Atomic bomb hazard map" the creation background, the creation process and content were introduced. The second chapter mainly through of the explosion characters in the map of figure modeling analysis extended to the western painting style of Chinese landscape painting and figure reference. It analyses the Chinese figure painting has the characteristics of works of Western painting figures of the draw. The third chapter is the theoretical analysis of "Atomic bomb hazard map" of the composition^d the use of Chinese painting works to demonstrate the significance of formal beatify of figure painting Chinese. The fourth chapter mainly through the "Atomic bomb hazard map" demonstrates the characters of China painting lessons. On the screen contains the humanistic care are described, at the same time through the 20th century Chinese painting artistic ideas of two change "Xu Jiang system" and "Wu Lin system^f the original explosion painting language analysis, and summed up the Chinese painting figures right exploration road. The fifth chapter will "Atomic bomb hazardrrlap" reference to the character China painting are summarized.In this paper, through the "Atomic bomb hazard map" of the painting, looking for the similarities and differences of its artistic language and China painting art language, the use of learning in the performance of the content and form of artists. The artistic language to the discussion of this paper is the most prominent problem in the Chinese figure painting, hope that through study the onginal explosion of artistic language and the inherent spirit and continue to play their art unique national character, more wide field of view, look at the development direction of Chinese painting figures in.