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Pantaloon Try To Talk About Beijing Opera Performance Art Of Commonness And Individuality

Posted on:2017-10-17Degree:MasterType:Thesis
Country:ChinaCandidate:X P FuFull Text:PDF
GTID:2335330488490713Subject:Theater, film and television
Abstract/Summary:PDF Full Text Request
Beijing Opera development from birth to maturity has nearly two hundred years of history, in this long history, the early Peking Opera pantaloon is not an independent business, but by the old, sitton business part-time; It was old or spoke evolved on the basis of the tsing yi spoke. In the development of Beijing Opera art history, pantaloon performance art has experienced from scratch, from the edge of the foil to the long process of mainstream acting. Pantaloon game art on the content and shape the character image from deductive works, in order to promote the main melody, transfer the positive energy, acura, true works full of positive characters as the theme. Pantaloon in Beijing Opera performance art of inoculation, the formation and development process, numerous senior artists have put their life’s energy, wisdom and effort, is dedicated to the pantaloon Beijing Opera performance art; The pantaloon industry develop in the Beijing Opera show the unique among the industry, an indispensable business, make pantaloon performance art development to the degree of fulfillment.The special report in this paper, the author is a graduate graduation performances of three out of the play and discusses the object, the paper selected topic based on the three classical pantaloon play the banquet tour camp case analysis training on the son, using comparative analysis and research. Pantaloon in Beijing Opera performance art of universality and individuality, using dialectical materialism viewpoint and method, the correctness of the analysis, testing practice and scientific, pantaloon highlights Beijing Opera performance art both universality and individuality is a pair of sometimes-complex mix-and-match, I have you, supplement each other, promote each other, be short of one cannot, the dialectical unification relations; The author tries to put their own learning professional knowledge, art practice and creation experience and comprehension, to rise to the height of theory, so as to use the correct theory and scientific methods, to better guide their future learning and art practice and creation; More hope that through their own efforts to beloved, and is willing to offer lifetime pantaloon Beijing Opera performance art traditions, our render a development innovation.This paper is divided into four chapters: first chapter, starting from the commonness and individuality of characters, as a three three pantaloon in the play, as the basis of an analysis of the loving mother, a widow business in common with the shaping of personality. The second chapter, from the commonness and individuality of singing, reading, performance means, analysis of the use of singing skills, as well as rhythm NianBai mood convey. The third chapter, from the figure performance program, the means of commonness and individuality, a total of three characters of shape characteristic, the technical processing of personalized figure shows and characters. Pantaloon in the fourth chapter, from the opera performing arts, the dialectical relationship between universality and individuality of comparison, analysis and study, sum up the pantaloon Beijing Opera performance art inheriting tradition and innovation development of interdependence and mutual promotion dialectical unification relations.
Keywords/Search Tags:Beijing Opera, Pantaloon performing arts, tradition of commonness and individuality, development innovation
PDF Full Text Request
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