Study On "Yin And Yang Board" Under The Perspective Of The Zoulu Culture

Zou city, located in the southwest of Shandong province, now has a kind of folk dance called "Yin and Yang board". As the rain sacrifice, this dance has a long history of more than 400 years inherited by eastern Baligou village of Zou city, which integrates traditional folk music, dances, religious believes, the totem worship and other cultural information, as well as reflects the god worship, the sacrifice culture and local unique aesthetic art of the farming nationality in the southern area. Originally this dance is a sacrifice activity for rain, and then it develops into a folk dance for holiday entertainment, and now it is a popular dance with representative culture and local characteristics. Its emergence, development and innovation are influenced by Zoulu culture, at the same time, it reflect all kinds of cultural imprints, from which we can understand relevant history information. As a traditional folk dance with regional culture characteristics in the dance art, Yin and Yang board is one of the carriers of the history information passing in the culture heritance. A further research has important reference value for the research on the Shandong dance history, also has important reference and enlightenment significance for the inheritance, innovation and development of the non-material cultural heritage. National culture belongs to the world, so this dance is expected to go abroad in the research of folk sacrifice dances, the non-material cultural heritage and the symbolic folk sacrifice dances. The research of "Yin and Yang board" has important reference functions for the research of folk sacrifice dances.Based on the research of its origin, development and unique artistic features influenced by Zoulu culture, this paper discovers and concludes the culture information and creative art value delivered by Yin and Yang board by comparing with other folk dances of the same source. It also explains why its origin predates myths and legends, and puts forward ideas and suggestions for its inheritance and protection.This paper consists of three parts including the introduction, the subject(three chapters) and the conclusion, with the fieldwork as fundamental research method and the literature data method.The introduction-it introduces the research reason, and combs out the related research data for reference, and clarifies research methods and theories.The first chapter-it summarizes its development of various periods from the origin, inheritance and development of Yin and Yang board.The second chapter-it defines the Zoulu culture, and introduces its symbolic culture, and combs out its influence on artistic features and the origin of Yin and Yang board.The third chapter-it points out its cultural value in the non-material cultural heritage, and puts forward strategies for its inheritance, protection and development.Conclusion-it improves relevant paper views.