| Chinese farmer painting as a kind of marginalized painting which is disgusted by professional artists always. But it has certain value in culture and science as a social phenomenon today and it is a living fossil that witness the time changes. From the development of Chinese farmer painting, we can see its specificity. It different from the folk art. Although the Chinese farmer painting is not professional, sporadic, undisciplined, non-regularity. But it has a unique vividness and still has full of vitality because it Correlates the Farming Life and it’s aesthetic style is Between palace model and extremely stereotyped traditional folk art. In this paper, it will research the visual language of Chinese farmer painting and explore the future and development of Chinese farmer painting and do some necessary supplementary and induction for graphic design while i study the traditional folk art and also it will comes out a other kind of think for the study of graphic design. |
