| Guilin to \"green hills, water show, hole, stone beauty\" is famous the world. But the landscape of guilin, the beauty of the hole in the stone from guilin karst landform areas. Guilin lijiang river landscape is rich, climate changeable, but also has the particularity of the lijiang river climate, its rich natural landscape, spectacular, interest reservation is profound. Many traditional Chinese painters in painting of the lijiang river and admired by others. Based on the unique Angle of view to huang, xu beihong, Li Keran, Bai Xueshi, YangTaiYang, xiao-jun bai, ShuaiLiGong paintings as the starting point, in-depth excavation its inherent artistic charm and spirit connotation.The lijiang river landscape painting to the natural scenery of the lijiang river as an object of depicting artists draw lessons from the traditional pen and ink again with his understanding of the lijiang river karst landscape and the integration of their own life experience and creation of works. Although they draw lessons from the traditional, is different from the traditional, differ in pen and ink performance, themselves on the li river karst landform is the most true feelings to show it Let the viewer can deeply experience the charm of the lijiang river.The first chapter mainly introduces the guilin karst landscape features and its artistic charm. This chapter divides two parts to illustrate. The first pair of guilin karst features are analyzed. The source of the word from the karst landforms and its effect on strange scenery in guilin and karst cave formation of narrative. The second is from guilin karst natural scenery and the lijiang river basin ecological environment to introduce karst landscape art charm. Guilin karst natural scenery is very beautiful, there are\"on the top of the south China,\" said the them had collected form miaoershan, have \"south tianyi column\" the laudatory name of xiufeng alone,\"surf\" the ups and downs of fubo hill, folded brocade hill, water potential of the elephant trunk hill, camel mountain, etc. And attract tourists at home and abroad of the lijiang river. Lijiang river basin ecological building unique, have unique characteristics of the south roof tiles, the diaojiao building with adjust measures to local conditions. There are blue bricks for the residential landscape of north guangxi to build by laying bricks or stones wall, a park coping, wooden doors and Windows, wood carving ancient buildings. Lijiang river basin of the humanities connotation is rich, have built the qin dynasty guilin county, wang fu jing in the Ming dynasty, as well as many other ancient buildings and predecessors left grinding time, and so on.The second chapter is the focus of the article chapter, mainly to describe the lijiang river landscape painting works of language analysis. Which is divided into five chapters. The first section is to analyze Bai Xueshi depict the lijiang river landscape painting works when the application of brush. Bai Xueshi according to the nature of the scenery combined with their own aesthetic feeling, to use small appeared Cun to represent the mountain of the li river. The second is to analyze ShuaiLiGong to rain rock Cun application. ShuaiLiGong after careful observation, according to the characteristics of the rock water damage in evidence after rain and created the rain rock Cun method. With this method created a vivid lijiang river landscape paintings. In the third quarter from xiao-jun bai depicts the lijiang river landscape painting works on line and the freedom of the pen and ink performance is analyzed. Feeling his clever and changeful, powerful and strong line and freedom of expression, experience the expression of his subjective spirit so as to feel the charm of the traditional Chinese painting. Fourth quarter analysis huang and Li Keran in depicting the lijiang river is the subject of JiMo method using landscape paintings. They using high-tech JiMo method to lijiang detached object, vigorous mail, clever side presents us with a delivery. The fifth section is analysis of xu beihong and YangTaiYang in describing the lijiang river landscape painting works of ink painting expression. They are all borrowed from western painting and advantage to splash-ink PoMo method to be flexible to use, the effect of the ink play incisively and vividly, so that the whole picture clever variable.The third chapter from two aspects to research the guilin karst landscape ink performance creative inspiration to me. The first section is a thorough understanding of traditional Chinese painters ink performance method. Analysis of painters in the face of the natural scenery combined with how your experience and feelings into elegantly simple mail, lively, fresh and beautiful painting. This section is divided into five parts. The first part is to analyze how huang in paintings show the deep feeling of the jungle. The second part is to analyze Li Keran is how to deal with light and shadow in the works. The third part is the analysis from the works of xiao-jun bai and ShuaiLiGong their expression of guilin beautiful rocks. The fourth part is the analysis of xu beihong and YangTaiYang to guilin special climate conditions on the manifestation of the lijiang river smoke ethereal picture on the screen. The fifth part analysis from the Bai Xueshi works of his artistic conceptions of guilin landscape is pure and fresh.Is written in the second quarter painter of creative inspiration to me.The last part is the conclusion part of the article. Mainly for the art pursuit of painting of guilin landscape painters and painting characteristics was summarized. |
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