The Study Of Technology Reconstruction Of Pottery Figures From Art Archaeological Perspective

Refer to the realistic, sophisticated, subtle and completeness, the terracotta warriors enjoys a world-renowned reputation among all the ancient Chinese sculptures. Thousands army regiments are still underground for more than two thousand years. Such a large scale tombs become world recognized exquisite art sculpture group items buried with the dead. It displays the different class, identity, position of Qin soldiers' image with the realistic techniques, also reflects the politics, culture, military, aesthetic, and other information of the Qin dynasty.For restoration research can be as much as possible the value of true and comprehensive cultural relics excavated, will have to from the aspects of historical relics imagery and content review. Specific to the terra cotta warriors and horses, such a typical case, research on the restoration will have to focus in terracotta appearance shape and military Rong garment, and of course through the connotation and meaning of the metaphor of this idea.This paper is mainly based on the unearthed terracotta sculpture group (was set) as the main content, taking No.1 pit T23G11:38 figurines as the research object, trying to re-analysis the Qin Terracotta Army from visual respect of art archaeology, and choose restoration as the most intuitive approach, for the reasonable location and reconfiguration research of terracotta.This thesis is divided into seven parts. The first part gives an overall introduction about the previous research, the purpose and significance of the present study, and gives a summary of the classification of the ancient polychrome pottery technology reconstruction methods, aiming at evaluating the current reconstruction technology of ancient polychrome pottery. Then raise a reconstruction method from the perspective of art and Archaeology, namely from the macroscopic and microscopic, statistical analysis from the spatial location of the research object, vision, psychology, time range. In addition, build a comprehensive understanding of the terra cotta warriors and horses, temporal and spatial environment. After that, from the textual research of literature and on-the-spot investigation in two aspects in one pit No.23 probe party 11 after hole No.38 figurines, statistical analysis and to explore the artistry, suggesting that the recovery technique. On the other hand, taking 38 figurines as the template, combined with the unearthed materials of the clothing system of Qin, and Qin tombs from the late spring and Autumn period to the Western Han Dynasty, suppose the clothing style, cutting, the texture of real and artistic components. Eventually based on the perspective of Art archaeology, discuss from the restoration of the traditional pottery terracotta sculpture, and a physical clothing and accessories restoration. According to the conditions of recovery and rationality, select digital reconstruction method, formulated the concrete implementation of the scheme and restoration results show.