The Research On The Form Of Transmutation About Domestic Musical Talent Show: From“ Young Singer” To “The Voice Of China”

From "Young Singer" to "The Voice of China", China’s music talent show has gone through30 years of development.In 30 years time, the musical talent show from 1984 into the infancy, to the 2003-2006 period into the development, by the year 2007 to 2011 through an adjustment trough, revitalized in 2012, after many ups and downs.This paper selects "Young Singer", "Super Girl", "The Voice of China" as a case,detailed analysis at different stages of development,background of these programs,its content, assessment mechanism, competition system and other aspects of the characteristics, as well as its innovative talent show for the whole development lies.Using case study method, text study, comparative study, to explore the kind of program variables in development.The study found that from "Young Singer" to "The Voice of China," the program content elements presented undergone many changes.Extending from the stage to the off-site; from singing to the main, to integrate into the story elements, from the linear narrative to the story of narrative change,showing a sense of the story, documentary feel.The change of the content was produced under the guidance of the concept of the program completed. In the development, the program from music events and the integration of TV concept to reality production concept, that is,from "race" to "show", from the "people" to blur "people" highlighted.Transition programming concept also caused a shift in production methods, on the one hand,2003 years later, sensational,characters and other construction techniques were used;On the other hand,the provisions of context, use suspense, artistic processing and other approaches are different,for example,through skillfully set misunderstanding, multi-camera repeat playback, clips and other ways to strengthen cross suspense,allowing music talent show from specialization to generalization.