Multicultural Formation And Acceptation Of Wang Luobin’s Music Literature Under The Vision Of Cultural Transmission

As one of the most famous Chinese musicians in the twentieth century,Wang Luobin devoted his whole life to collecting,collating,reconstructing and creating nearly thousands of northwestern minority songs that spread not only among our country,but also among Southeast Asia,the United Nations and all the world,which added our country’s national music one magnificent page.Folk song is the crystallization of people of all ethnic groups’ wisdom, which includes beautiful melodies and deeply touching lyrics.Through the lyrics, we can see the rich and colorful ethnic culture, Wang Luobin ‘s music literature is not an exception.He is a Chinese musician, but what he adapted and created is the northwest minority songs, which is bound to have a cultural conflict and blend, so his lyrics must have multi-cultural fusion.In addition, the songs that Wang Luobin collected and adapted from the west away into the distance, was deeply loved by the audience at home and abroad, besides,it’s enduring, I think that this phenomenon is worth our thinking and questioning,so it’s necessary to interpret Wang Luobin ‘s music literature from the perspective of cultural transmission.Because of this, it’s a good choice to interpret the formation and acceptation of music literature from the perspective of cultural transmission.The main text is divided into three parts.The first part is the introduction part, including the selected topic background, the selected topic significance, the research trends, research value and innovation points.The second part is the body part, having three chapters.The first chapter discusses the culture landscape of Wang Luobin ‘s music literature, this chapter mainly discusses the type and circulating situation of Wang Luobin ‘s music literature, I talk about the culture dissemination of Wang Luobin ‘s music literature respectively from social change, medium, and the national culture;The second chapter discusses the formation and connotation of multicultural aesthetics of Wang Luobin ‘s music literature, this chapter first discusses the reasons of multicultural aesthetics of Wang Luobin ‘s music literature, then talk about theconnotation of Wang Luobin ‘s music literature including the inheritance and grafting in the contents and forms,the fusion and complementary of love view and aesthetic view,the collision and subversion of the core image.The third chapter discusses the culture acceptation of Wang Luobin ‘s music literature, this chapter talk about the literary aesthetic of the lyrics surrounding the theme, language, rhetoric and lyrics cultural meaning,etc and music art aesthetics surrounding the melody, the level and oblique tones, rhyme, etc.The last part is the conclusion.It summarizes the whole text, at the same time, also points out the deficiency, putting forward the the aspects of studying Wang Luobin‘s music literature which is need to improve and constantly perfect.