The Research On Palace Poetry Revolution From Qi Li Ang To Early Tang

After YongMing in body of Nan Dynasty, Palace poetry become the mainstream of development in the poetry,has experienced from Qi Liang Dynasty to early Tang Dynasty about two hundred years.During this long time,the development of Palace poetry is not invariable,althougt there have been discussed this problem,but the research on Palace poetry evolution as a whole is still in the blank.Therefore,this article will be on the research achievements of predecessors,to comprehensive research from the evolution of Palace poetry.This paper is divided into the following several parts:Introduction part after a brief review of academic history,point out that Palace poetry has always been seen as a whole,but with the development of the society, Palace poetry in different stages of development shows the characteristics of some to have tendency.Early Tang Palace poetry than Qi Liang period has been a significant change,the purpose of this paper is to study the changes and clarify its development.The first part combining previous research results on Palace poetry to define and divided into periods,think of it is Qi YongMing next to the early Tang Dynasty amorous poetry,with a new features in the development of long-term experienced begam to form,period to achieve full,the four stages of gradual decline and demise.The second part of female image from the poem and singing from the change of the relationship between poetry and women,the poem describes the women from the upper ladies into the underlying women,an the same time,the characteristics of these female morbid seductive weakening,singing from poetry’s relationship with women from the people as a Wu vivid description ofher into the content of personification.The third part of the paper starts from the shift from poetry aesthetic fashion,focus on discussesperformance point of view on the Palace poetry from narrow gradually became more open,aesthetic features gradually get rid of gaudy and a means of composing,the emotional tone of poetry from the unrestrained grief sorrow to temperate and voice.The fourth part from the change of from Palace poetry creation situation,analyses the Palace poetry in different development periods have different creative motive and team,creative motive is different and creative team affects the poetry helped poetry shifting.Conclusion part combed the Palace poetry overall evolution course,and point out that these changes are not only going to decline from Palace poetry its process,but also gradually to the Tang poetry,thus affirmed the positive significance of the change from poetry.