Montage Of Time And Space Analysis Of "4 Adagi" N.2 By Sciarrino

This dissertation introduced as his writing style, present the surface musical vocabulary and hidden sound organization in his work deeply and thoroughly, through the analysis of the ordinary elements in his works as a cornerstone before the further analysis, than gradually begin to study its flute and orchestra works "4 Adagi" N.2. The author try to filter out a set of common characteristics and unique "Montage" features of timbre and structure which only appeared in "4 Adagi" N.2 from the Refined and delicate musical representation, discuss the lavish meaning of his work from many kinds of aspects through contacting the academic knowledge of physics, psychology, acoustics, film studies and many other fields.The main analyzes part of this dissertation will start from the musical parameters of "4 Adagi" N.2, deconstruct material, mode, portamento, the relationship between soloist and orchestra, melodic rhetoric in the work from the micro level, than deconstruct the Spectrum, sound taxonomy, special "montage" means, Organization of time and space of the work from a macro perspective. After that, the author points out that the reorganization of its spatial, temporal characteristics and the Multi-dimensional sound on human being’s auditory structure.