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A Study Of Zhu Yingdan’s New Poetry Allusion

Posted on:2017-01-22Degree:MasterType:Thesis
Country:ChinaCandidate:D ZhouFull Text:PDF
GTID:2295330488482438Subject:Chinese Modern and Contemporary Literature
Abstract/Summary:PDF Full Text Request
Allusion is an ignored issue in new poetry research field. This paper aims at the allusion situation during the creation of Zhu Yingdan’s new poetry, mainly discusses following questions:Firstly, introduction. There have many controversies about the concept of allusion for a long time, the definition of allusion comes from various opinions. Since new literature movement, allusion has been demoted, it seems that allusion has disappeared from the scene, while it is not. No matter ancient allusion or western allusion, they all in literators’ good graces. And scholar’s treatise about allusion also can be seen in essay, prose and academic article every now and then. People are gradually paying more attention to Zhu Yingdan’s new poetry creation in recent years, allusion provides us a brand-new perspective for Zhu poetry research.Part one is the stream analysis and cultural psychology exploration of Zhu’s new poetry allusion. Zhu Yingdan’s new poetry creation has the aesthetics of "classic integrates modern", containing ancient and modern, combining China and west, and allusion is the most important writing skill for Zhu Yingdan to travel between ancient and modern, China and West. Statistics says that the number of times in Zhu’s new poetry allusion is as high as 278, his allusion based on the ancient allusion, useing western allusion as complement, collecting various thoughts and pouring his talent into poetic creation. It not only beneficial from his solid and encyclopedical literature accomplishment, but also from his continuously explored new poetry creation experiences.Part two is about the artistic characteristics of Zhu’s new poetry allusion. Firstly, he selects a large amount of full-bodied classical images and artistic conceptions, also integrates modern affection which is on basis of classical images and artistic conceptions. He permeates poet’s unique thoughts so as to give images and artistic conceptions a new connotation. Secondly, Zhu is good at quoting predecessor’s words, transforms "old acquaintanceship" into "new acquaintanceship’, that is so natural and beyond all expectations. What’s more, using person or story lines which are accumulated with rich emotion and specific sense of beauty to express feelings and intentions, meanwhile, the means of expression is more natural and proper. At the same time, Zhu has a lot of allusion methods which are flexible and tactfully, such as overtly use, snugly use, positive use, opposite use, single quote, multiple quote, etc.Part three is the comparative study of Zhu’s new poetry allusion. There has an essential difference between the literary quotation’s source, application frequency, pattern, strategy, function and the implication extension of Zhu and allusion in classical poems, which highlights his new character of new poetry creation. Meanwhile, the comparing of the same and differences of Zhu Yingdan and Fei Ming’s new poetry allusion can help us to understand their poetry concepts from the perspective of allusion.Finally, conclusion. The exploring Zhu Yingdan’s new poetry allusion is providing us a new perspective to study Zhu Yingdan,it also has the same significance for researching the new poetry. New poetry allusion not only breaks through the limitation of traditional allusion, but also enriches the creation material of new poetry, promotes the aesthetic expression ability of new poetry, expands artistic expressive space of new poetry and forms unique creative experience for new poetry. We should pay more attention to it.
Keywords/Search Tags:Zhu Yingdan, new poetry allusion, ancient allusion, western allusion, comparative research
PDF Full Text Request
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