Study On The The Name Criticism Of Zhang Zhupo’s Criticism On The "Golden Lotus"

Zhang Zhupo is the chief critic of the "Golden Lotus". An important method that Zhang Zhupo’s comment on "Golden Lotus" is from the moral of name in the interpretation of literary works, this method can be named in the Name Criticism. Very little academic research on this method were studied systematically, even if involved the Name Criticism there is more negative attitude. This dissertation from four aspects:origin, strategy and image groups and historical position of Zhang Zhupo’s Name Criticism of this method. In this dissertation, based on the results of previous studies, mainly from the name of the culture of this new point of view, Zhang Zhupo’Criticism about "Golden Lotus" be analysis newly, its purpose lies in reduction in Zhang Zhupo’s Name Criticism of subjective and objective reasons, the construction of specific strategies for this method.The main contents of this dissertation are as follows.The introduction part through the critical practice of criticism in the Ming and Qing Dynasties cited derived critics considered the author of the novel by name in the works entrusted the fact that moral, thus proposed the Name Criticism the concept. Based on the research results of the Name Criticism of the predecessors, put forward Reasons for choosing this topicThe first chapter is mainly to solve the problem of subjective objective comment on the "Golden Lotus". Zhang Zhupo’s comment on "Golden Lotus"has two purposes:first, it is pointed out the grammar contained in "Golden Lotus", one is their own life sustenance. In the scope of this article, the latter is more important. Specifically, in his criticism of Zhang Zhupo’s sustenance includes three points:feeling inconstancy of human relationships, emotion fame no hope, pride in the family of filial piety and sincere. These three points, making Zhang Zhupo’s comment with the nature of writing. In order to achieve this objective, Zhang Zhupo will use all possible meansThe second chapter mainly solves the problem that Zhang Zhupo uses what specific strategies to construct the Name Criticism. This chapter first examines the Chinese nation traditional that take attention to name since the The pre Qin, And investigate this trend by name to expressed the meaning through the two dynasties of Ming and Qing. The factor of tradition and trend is actually the objective reason for Zhang Zhupo to adopt concrete strategy. Zhang Zhupo based on"With things and have a name, with the name referring to things"as cardinal principle, put forward four specific strategies. But from the perspective the relationship between symbol and meaning of the name, he put forward the strategy, there are insufficient to chaos, and rearrange the Three ways to communication name and moral, namely Homophonic moral, literal meaning, which produces Association to produce moral.The third chapter mainly solves the problem that how to use the name for the moral system of intermediary. Zhang Zhupo takes name as an intermediary, and correspond the name of characters, objects and place with thing, thus thing attributes and destination is use to restrain or explain the fate of the characters in the novel. This is actually the results that result from Qu Yuan created the vanilla traditional, Confucian Virtue tradition, Taoism Smoothing Spirit traditionalZhang Zhupo has constructed three groups of images:Plants image group, water image group, seasonal image group. Lotus and wormwood as the center in plants image group, is mainly responsible for the meaning of "punish the greedy for lust", "ice well" as the center in water image group, mainly responsible for the "punish the greedy for money" of the moral. Seasonal images through the two image groups, summerâ†'autumnâ†' winterâ†'spring. Its essence is transformation from heat to cold, meaning is "money and lust " are attributed to the colder.The fourth chapter is mainly to solve the problem over the status of the the Name Criticism. To analyze from three aspects:Zhang Zhupo’ s historical position about the the Name Criticism, the affection of the Name Criticism and practical limitations. The practice of Jin Shengtan’s criticism is the direct source of Zhang Zhupo comments. The influence of Zhang Zhupo’s the the Name Criticism is mainly reflected in two aspects:firstlly, providing theoretical support for the legitimacy of the spread of "Golden Lotus"; secondly, the influence on "a dream of Red Mansions" Character setting. Thus, we can see that Zhang Zhupo’s the Name Criticism on "Golden Lotus", In the former inherited the Jin Shengtan and Later inspired Zhiyanzhai, is actually the history hinge of the Name Criticism.limitations mainly reflected in the system is not strict; Zhang Zhupo’s comment with a strong subjective purpose; the strategy of the Name Criticism itself with subjective operation space, implication between in Zhang Zhupo’s criticism and the novel actually implication have a certain deviation, the maximum deviation is Meng Yulou was not the author of the self-evident.