On Three Forms Of Lao She’s Tragedy

In Lao She’s heart, tragedy consciousness is included, and his works are mostly of tragic color. Lao She is concentrate on the people in the world. In the creation, Lao She did not deliberately for writing, he open to the life for the tracing and writing. His experience in childhood provides a wealth of material for the creation, ordinary colorful characters, and their lives in the face of all kinds of hardships, Lao She can vividly show the direct source of the characters in his works. Lao She’s sense of tragedy is reflected in the reality of life, while full of Lao She’s unique experience and deep understanding of the real life.From Lao She’s growth, background, culture and other aspects to analyze the formation of his tragedy consciousness and a sense of tragedy in the works passed out. Through vivid writing to show his concern for humanity, through the human reality for meaning to show his unique life thinking. No intense language when revealing the injustice of life phenomena, not losing its cultural criticism and national exposes, Lao She demonstrated profound reflection on the society and the nation’s future concerns.In the first chapter, In Lao She’s growth and character formation period of life experience, but also gives him to face the life and the literature creation experience and wisdom. His creation of the rickshaw pullers, policeman and prostitute is full of sympathy and so on, with his full national emotion have deep connection. Therefore, he is talking about humor writing, not to say the master exposes himself. Those destined to life under the system of eight banners of the straitjacket of the Manchu people, their life itself is a tragedy. At the same time, as a full of anxiety about the society and the sense of social mission of great writers, Lao She was not in the nation’s narrow alley. He stands to the history of the Chinese nation as a whole height serious tragic examine. All this, a profound impact and the formation of the tragic consciousness of Lao She in the spiritual world, in turn, Lao She will this consciousness in his writings, full of affectionately Syria written Manchu Bannerman and the old Chinese nation’s historical tragedy and the tragedy of life.In the second chapter, we talk about the culture of Lao She. Lao She is not with the political and economic perspective to talk about the civil society, although his brushwork toward the every corner of the social class and also exhibited some degree of political and social ideological trend, but his basic point of view is moral culture. He like his enlightenment teacher Dickens that from the traditional moral culture perspective analysis filter complex society, so as to make a culture of character and moral judgment, always clearly persistent in mining complex sources of individual life tragedy, the tragedy of the little people ascend to the height of the social and cultural interrogation to be serious. Therefore, it is the core problem of Lao She’s novels to reflect and analyze the cultural criticism and the national question.In the third chapter, I probe into the expression of existential works of Lao She. Through talking about the tragic interpretation of Lao She’s works, not only the culture, well ponder philosophical sense of social meaning, Lao She works a certain existential tendencies. In Lao She’s works, the characters were in the absurd environment, and Lao She opened out that people have no power to make a change, and no place to escape, people were in a state of abandonment. At the same time, the desire to have a good life of people can not be achieved, thus derived from the alienation of the various relationships between the characters and all sorts of inevitable tragedy of life. There is a strong sense of the impermanence of life. Lao She’s works are produced as "Laughing in tears," at the same time, the tragic expression of Lao She’s works even more depth.