The Study Of Zhucheng Mao Tune

As the local opera of Jiaodong Peninsula region in Shandong Province, Mao tune belongs to Zhouguzi system of the four systems of local opera which includes Xiansuo system, Bangzi system, Zhouguzi system and popular song and tune in the folk. So far, it has more than 200 years of history. It is mainly popular in Zhucheng, Gaomi, Qingdao, Rizhao, Jiaozhou, Jiaonan, Wulian, Linyi, and other regions in Shandong Province. His formation and development has gone through three stages roughly. Zhucheng is the hometown of Mao tune, and has made important contributions for the formation and development of Mao tune. In 2009, Zhucheng Mao tune is included in the municipal intangible cultural heritage. But in recent years, with the impact of popular culture and disintegration of professional troupe, Zhucheng Mao tune’s prospects for sustainable development is not optimistic.In this article, author combs Zhucheng Mao tune’s literature and puts forward his own opinion against the origin, evolution, art and aesthetic characteristics of the body as well as folk characteristics and other issues of Mao tune in Zhucheng Shandong Province; And Combs and analysis to the status quo of zhucheng Mao tune by doing some field surveys and interviews for today’s existing Zhucheng Mao tune amateur troupes.The thesis is divided into six parts. The first is the introduction, this section illustrates the significance of the topic of this paper, research methods, literature review, and related concepts referred to herein were defined; The first chapter discusses the origins and development of Zhucheng Mao tune, It discusses the process of Mao tune’s origin and evolution of the development and explore the emergence and development of Zhucheng Mao tune from the perspective of local culture, geographical environment; The second chapter is the status of Zhucheng Mao tune’s field of fieldwork and analysis of information and data, objectively demonstrate the survival status of Mao tune in Zhucheng area of Shandong Province through investigations to the management of existing performance groups, performance conditions and sustainable development in Zhucheng area; The third chapter is the analysis of Zhucheng Mao tune’s theatre Arts features, made a detailed data analysis and theoretical induction from the aspects of Zhucheng Mao tune’s music, language, performances and repertoire etc; The fourth chapter is to examine by fluoroscope inherent cultural connotations and the charm of inheritance up to now of Zhucheng Mao tune from the folk characteristics and aesthetic characteristics; The fifth chapter is to explore the heritage and protection of Zhucheng Mao tune, and put forward some feasible suggestions and constructive measures mainly from the point of view of the government, education, and the troupe own problems; The last part is the "conclusion" and "appendix" section, "conclusion" is the inductive theory summary of full text, as a complement to the whole paper, "appendix" is a form of appendix, grouped into tables to Zhucheng Mao tune’s some information points and related data, This is all in an effort to express comprehensively and display from the multi-angle.