Blossom Tune "Artistic Characteristics Research Of Shanxi Left Right"

China has a long history of musical culture, especially rich in the form of regionalfolk songs, constitute our diverse musical structure. Shanxi Province has always had thereputation of ocean song, visible presence here within the diverse forms of music areabundant. Zuo Quan’s "flowering tune" is one of survival in Shanxi folk contents of thisfertile land, but also to be included within the non-material cultural heritage protectionprojects. Since2005, discussions on the protection of intangible cultural heritage hearduntil today to protect and pass on folk music forms are still being used as an importantcontent. Zuo Quan’s "flowering tune" Although it is a branch of Shanxi many folk forms,but its rich artistic and aesthetic, are other folk songs unmatched."Flowering tune" is located in the Taihang Mountains in Dongshan District of folkforms, especially Zuoquan County,"flowering tune" the most artistic charm. Zuo Quan’s"flowering tune" a tune different from other hill art style special is that,"flowering tune"presents a gentle and delicate features, the tone simple folk system in the Loess Plateau,affectionate touching musical form is very rare. In addition, the dapper libretto, Bixinguse practices to enable Zuo Quan’s "flowering tune" more artistic charm. Rapid progressof the times, the diversified development of art forms, musical forms derive more nextwave "flowering tune" is also the cultural development of Zuo Quan, after the trough ofdevelopment. Eighties of last century, Zuo Quan’s "flowering tune" the status quo is alsofacing a cruel cultural and ecological imbalance. Although, over the past decade, sincethe state is actively developing non-material culture, folk songs got more attention, ZuoQuan’s "flowering tune" art scene into view again, but the protection of their heritage andneeds further deepening. Therefore, I explore the combined expertise of the folk songcontent to protect their local area and inheritance patterns have practical significance.This paper is divided into five parts. The first part is an introduction to explain thebackground of the topic, the significance of the research, academic research status, ideas,methods and breakthrough; second part ZUOQUAN "flowering tune" produced byhistory and creative background part IV; analysis; third part relying on specific"flowering tune" concert repertoire analysis and analysis carried out works, and clearly,"flowering tune" the process of creation and the concert, contact the various elements of the natural geographical and cultural environment ZUOQUAN between that "blossomtune" protection and Inheritance work facing difficulties, and based on the results of thethird part of the study, with "cultural ecology" point of view as guidance, protection andinheritance ZUOQUAN elaborated in the current cultural and ecological context of"flowering tune" measures and ways; fifth part is the conclusion, summarizing the fulltext.