A Study On Concert’s Text Critics Of Han Zhongen

Han Zhongen’s music criticism literary theory has clear personality, academic rigor. He skilled mixes he’s aesthetic research achievement into music criticism practice. But at present there is no research for Han Zhongen’s music criticism literary theory, only has two book reviews for his doctoral thesis. According to the situation, the author selects the Han’s concert criticism article as research object, which written from 1998 to 2011, 21 articles totally. Through three aspects, concert criticism’s classification, the concert criticism involves questions and combing with theoretical summary, the deepening of theory given after my own conclusion. 1. Han Zhongen’s music criticism is tend to the aesthetic of music criticism. He’s concert criticism is coordinate the basic theory of music aesthetics.2. If classified Han Zhongen’s concert music criticism, it should belongs to written by music fancier in college. 3. The basic attitude of Han Zhongen’s concert Criticism is based on the works, connected sounds, showed the history, examining the meaning. These are clearly reflected in his music concert criticism. 4. Han Zhongen has multiple identities, including music practitioners, teachers, music fans, critical object’s friend. So his concert criticism research has such extensive and profound influence for the society, especially for musicians, students and common music lovers.