From Liu Qing To Lu Yao:Transformation On The Imagine Of Peasants In Contemporary Novels

Transformation on the imagine of peasants are important research content in contemporary novels, this article selects the coexistence period of history from Liu Qing to Lu Yao, to study the transformation on the imagine of peasants, in order to spy it reflects the change of the times, the peasants’mental outlook improved, and to present the practical significance.The basic content of this article includes a total of six parts,the introduction, the main body of the four chapters and the peroration. The introduction part mainly explained the content "From Liu Qing to Lu Yao:Transmation on the image of peasants in contemporary novels " in the domestic and foreign research status, practical significance, research methods and characteristics.and so on. At present, domestic and foreign scholars, the scope of the study mainly concentrated in a case study embodied in the image of peasants,both Liu Qing and Lu Yao’s works,but mixing the investigation, combing each other between the association of paper is relatively small, and having no system. This paper attempts to make a breakthrough in this regard, the image of peasants between Liu Qing and Lu Yao’s works in the changing of system arrangement to discover which contains the unique value.In the first chapter, the author introduces the historical context of construction about the two generation writers on the peasant’s image, mainly from two angles of the external time and space to explain the relationship between the two generation writers. From the time of processing, Liu Qing’s works were recorded different stages development in agricultural cooperative movement after the new China,while Lu Yao’s works were based on the bankruptcy of agriculture cooperation ten years before and after the reform and opening up, the household contract responsibility system for the historical background, so the peasants of two generation writers has the continuity in time;From the geographical point of viewing, Liu Qing and Lu Yao as the hometown of Shaanxi. came out on the Yellow Earth,are named"peasant writer", from this perspective, both men in the "blood" is quite close,there is a natural relationship with the peasants, and works with a description of Northern Shaanxi country. At the same time,the local dialects were applicated in Northern Shaanxi, all highlights the two writers geographical attribution.The second chapter mainly elaborated the internal realistic view of the two generation writers peasant’s image writing.Liu Qing’s creation idea influenced Lu Yao’s works,and the latter on the basis of the development. Liu Qing realism creation enthusiasm, the creative spirit of dedication, and creative works of "epic" artistic pursuit are admired by Lu Yao. Liu Qing’s realism is more based on the spirit of "the literature and art speech on Yan’an Forum"as a guide by Mao Zedong, with typical characteristics of the "revolutionary realism"; Lu Yao not only followed Liu Qing’s realism, but also more with the times, create a so-called "no model consciousness of realism",it must abide by himself.The third chapter is shaping the image of peasants in the era of reform. After the image of peasants analysising of the two generation writers, we can obviously find the rheological trajectory in Liu Qing and Lu Yao’s novels. Firstly, peasants transformated from collective production to individual business, moreover,in the tide of reform and opening up, many peasants got rich; Secondly, some arrogant super and middle rich peasants and other reactionary forces have been completely overthrown in the old society, while some conservative and backward peasants of poverty have been become the master of the new society; Thirddly, At the beginning of Reform and Opening up, it also appeared some rural educated young man,such as Gao Jialin and Sun Shaoping, they began to escape from the countryside, displaced from their hometown, adventured in the big city.Their hardwork were filled with bitter and sad, and it is the typical image of the new socialist man in the initial stage of the reform.The fourth chapter discuss the current significance of peasants image transformating, It shows the style of peasants in different era,which is beneficial to the image of peasants rich; it also conducives the deepening of realistic literature, and create more excellent literary works.The last chapter is the peroration, the writers created a large number of classic image of peasants had an epoch-making significance, and at the same time, it is also an important inspiration for writing the image of peasants in the future.