A Study On Hu Yinglin’s Six Dynasties Poetry Theory

Hu Yinglin who was born in literary family and learned intelligentliy have many achievements of scholars in the late Ming Dynasty. In the poem theory, Hu Yinglin coming into Seven-Scholar School, praised the style, but he can proposal "lattice" referring to "change" and proposal "law" referring to "Enlightenment". Although he sub Seven-Scholar School with the same style poetry and highly recommended Han, Tang poetry, he can not subject to limitations of style. With the theory "change" and "understanding", he made quite own opinion discussion in the Six Dynasties Poetry.Hu Yinglin who attaches great importance to the style of poetry, for his criticism of the Six Dynasties poetry, can also jump out of the limit of style, from the perspective of romantic charm found "antithesis neat and gorgeous", rhyme "fun" and the characteristics of the "bones" of the six dynasties poetry. " Antithesis neat and gorgeous " of the six dynasties poetry lies in its both paying attention to the language of the antithesis of the antithesis and paying attention to the emotional outpourings of the antithesis. At the same time, the six dynasties poetry also has a strong and vigorous upward spirit, namely bones; and with the flavor of meaty, transcendental and free from vulgarity, namely the rhyme.And Hu Yinglin was from the Six Dynasties’ poem body, poet and poetry to grasp the development track of the Six Dynasties poetry. He believes that poetry to the changes, the Six Dynasties almost decline; the Yuefu poem appears lawphenomenon; the quality and literary grace of five-word- archaic-body poem of the Six Dynasties gradually separate, and finally the evolution of literary grace thrived and the quality declined. About the poets and poems, Hu Yinglin belived that Jin Dynasty were more quantity and quality. Zuo Si style plained nearly Wei Feng. Lu, Pan pursuited literary grace.Tao poem gradually separated from the archaic poem but was charm; Song Qi Dynasty had not much aprominent poet.Xie Lingyun poetry is carved, but had romantic charm. Xie Tiao’s poetry include the style of early, middle, flourishing and late Tang. Bao Zhao’s poetry is beyond literaryornate style, returns to honest antiquity. The poetry style of Liang Dynasty is lowly. Although Liang Dynasty had many poets, the level is not high. Jiang Yan’s simulation of classical poetry had a bit archaic flavor. Yin, He’s poem pioneered the modern style of poetry. The style of Chen Sui Dynasty was dispirited. Chen Sui Dynasty had little excellent poet. Xu Ling, Yu Xin, et al. lay the foundation for the maturity of the Tang code.Hu Yinglin in the heart of the ideal is the Tang Dynasty poetry, yet the Six Dynasties poetry as a precursor of the tang dynasty, its influence on Tang poems are profound. Look from verse, rhyme in the six dynasties patterns and though not yet fully formed, but its melody and rhyme of genre, etc for Tang eventually formed. Look from the poetry style, the six dynasties developed a style of "qingyuan" landscape poets, in line with the development of "qingyuan" formed the poets in tang dynasty accomplished already sent, Hu Yinglin by "qingyuan" building up the bridge of the six dynasties poetry and the relationship between tang poetry.