| Lu Shiyong is a special professor in poetics in the late Ming dynasty. He took the abundant theoretical results of the poetic in the early Ming dynasty. He inheritance the style of Lian Song which is Peaceful and elegant in the aesthetic point of view. He Advocates natural and graceful and elegant in aesthetic showing of poem. Inheriting and developing the style in Wu dynasty which is Advocate nature and individual freedom. Getting rid of the bondage of neo-Confucianism and extracting Xian Zhang Chen’s theory which is naturally in performance, all those make it rebirth which is verve style in late Ming dynasty to be independent from the subservient to the theory of style, become the theory of verve poetry in the Qing dynasty at the helm of literary theory. Lu Shiyong experiences the mid and late Ming dynasty which is disputes mess in the field of poetry. With seven parties to mimic copy what accepts Tang poetry, and repulsing Jing Ling sent to Tang poetry aesthetic bias into the way which is black, flasher. Hence out in Ming dynasty, the last larger set of poem selection, "poem", to reveal his own view of the Tang dynasty, his social style, has two melting the charm of this station in the aspect of aesthetic implication to accept Tang poetry theory argues that the book runs through the purpose of the spirit and the situation of the main line, with comely already far, rhyme and purport of greatly widened the scope of aesthetic acceptance of tang poetry. Comments on the original point of view, incisive, bright and fresh, opening mind and enjoy a very high evaluation in the offspring. The poetics theory of Lu Shiyong was closely related to the worship of the Tang Dynasty in Political and literary.Lu Shiyong as one of the group of Middle-Fujian poets was influenced by their poems.So,Lu Shiyong formed the poetics of learning Tang poems,especial the Middle Tang poems. Poetics theory of Tang has been a lot of development by the study and summary of Lu Shiyong. Lu Shiyong is person with verve, advocating the lively, affection deep, well willing, He advocated the creation to ecstasy quickly, not cutting, the workers did not act the role beautiful, natural, stick to neutralize the dialectical spirit of art, avoiding excessive carve too hard, the intention, lyrical over the disharmony of spreading tendency, making people can feel more about comprehensive and objective to the Tang dynasty, more rational studies of Tang poetry, objectively promoted the benign development of Tang poetry study and theory of diversity. The "poem" concept of affection to give priority to the theme of a consistent, issue detailed nuclear, every shipment will rise one by one all can see its origin. Get through the barriers of classical poetry, Tang poetry, book with a pillar Tang, in Tang dynasty should be the ancient, with ancient and modern interpretation of the poetic concept, show a tang dynasty artistically gain and loss, break the seven centers of tang’s extreme and Jing Ling intolerance aesthetic vision, in the late Ming dynasty played a wipe out those habits and authentic, China set up the model of the new poetry, more show its unique perspective view of the tang dynasty and tang dynasty to accept, become an important anthology of tang poetry history and theoretical work, the theory of verve of Tang dynasty played a deck of surging waves, the rev fishing the transfer of power. |
