From The Sichuan River Song View The Impression Wulong

The Sichuan River song is The Sichuan River boatman in labor process, a kind of folk music produced for coordinated action consistency, the utility of single later gradually developed into a practical and expressive coexist, Kawa Eseko not only has the function of coordinated action, also has the expression of thoughts and feelings of the function of the boatman. The Sichuan River song condensation of the The Sichuan River River Boatman’s wisdom, is one of the important cultural The Sichuan River river. However, with the rapid development of science and technology, power boat has completely replaced the wooden boat, the boatman had lost the role to provide power for the boat. The boatman of the retreat, also means that the The Sichuan River song to gradually withdraw from the stage of history.Nowadays, life and way of production change, makes the development of The Sichuan River song is particularly difficult, indicates that the endangered mayhave. At the same time, we can also see that the government and society are gradually strengthen the protection of The Sichuan River song. As one of the most typical and most successful of the "impression of Wulong", with its novel style,technology will be combined with tourism, create a perfect carrier protection and inheritance of The Sichuan River song, the real-life scenery performance broke the protection and inheritance of traditional pattern, spread better The Sichuan River song play a positive role. In this paper, with the music characteristics of folk music, national vocal science point of view to study the The Sichuan River song, and its "impression Wulong" the inheritance characteristics, through the "impression Wulong" thinking, in the exploration of multidimensional inheritance model, the protection and inheritance of the path of the The Sichuan River song. This article is divided into five chapters to elaborate: the first chapter is the introduction, including research background, research current situation, research purpose, research significance, research methods. The second chapter is the The Sichuan River song of features, including history, music features and the cultural interpretation of The Sichuan River song.The third chapter is overview of Wulong "impression",mainly from the two aspects of the creative process and the performance effect to introduce the basic situation of "impression of Wulong". The fourth chapter is the inheritance of characteristics of "impression Wulong"-Nakagawa Eseko., Mainly from the music characteristic angle elaborated the Sichuan River song inregional, lyrics, singing and melody on the inheritanceand change。The fifth chapter is the development situation and thinking of The Sichuan River song, including the crisis of survival and development thinking of the inheritance status, The Sichuan River song.