In The Central Plains Of The Folk Clay Sculpture

China folk art is a stream long cultural history in the river, with its colorful and twists and turns, reflect light Chinese culture. Culture in the Central Plains Folk Art is rich and varied, the humanities has a long history, profound culture, folk custom connotation and deep. The Central Plains region has a very long history and profound cultural heritage, Ninigou is Henan Huaiyang County folk clay sculpture art. Huaiyang called Wanqiu, Fuxi and Nvwa legend is the ancient combination of intermarriage, and NvWa with mud people place. Since the Huaiyang clay sculpture is still visible as "zu" monkey works. At the same time, "Ninigou" is Huaiyang Taihao mausoleum "progenitor" mud toys in general, is a unique folk art to produce a primitive totem culture, also known as"mausoleum dog" or "dog". The performance of a wide range of subject matter, the birds in the sky, the beasts of the earth Nothing needed is lacking.other fantasy, mystery. Ninigou variety, shape,decoration pattern diversity. Far see prehistoric ancestors of reproductive worship, dragon and tiger culture, into which can be traced back to after the song and Ming Cheng, Zhu ethics and Yuan Dramas, the legend of enlightenment.Fuxi culture is a Fuxi era generated dragon culture, jade culture, view day culture,surname culture, fishing and hunting culture, Tai Ji and the Eight Diagram culture, the original text and digital culture. The first Taihao Fuxi Emperor dragon culture is the maintenance of Our wills unite like a fortress. spirit link of the Chinese nation, embodies traditional ethnic,national feelings, national spirit. "Ninigou" the existence of art, the essence is a continuation and expansion of primitive art.Focus on Ninigou culture connotation and aesthetic implication, divided into three chapters, the first chapter is the background analysis mud dog produced, behind the Ninigou culture-Fuxi Taihao Mausoleum Fair culture, reflect the folk and various factors in the temple fair. Including the festival custom, the custom of belief, a variety of folk activities and different kinds of folk arts and crafts. The artistic features of the second chapter of Huaiyang Clay Dog and aesthetic implication. The types and artistic characteristic is divided into four sections on mud dog, and analyzes its modeling concept, concept of colors and patterns. The third chapter of cultural heritage temple Henan Huaiyang people will be on the Ninigou. Divided into three sections to discuss the protection and inheritance of the Ninigou from the Ninigou culture connotation and aesthetic implication of folk art protection and Inheritance.