Study Of Visual Thinking In The Pre-Qin Aesthetics

In recent years, theory of visual has been a hot topic. In the past 30 years, The focus of contemporary visual culture has become the main theoretical breakthrough point, discussion and research on visual has become an important topic of the academia. Since the last century, the study of visual thinking began to gradually cause the attention of academic circles. However, from the west to China, in the research on the visual thinking is mostly concentrated in the modern aesthetic activities within the scope of few involved in Chinese classical aesthetics category. As early as in the Pre-Qin period, the human visual thinking occurs, the aesthetic activities of the generation and development and long influence on the traditional Chinese aesthetic concepts. In the Pre-Qin aesthetics from the perspective of visual thinking and inquiry will be the classical aesthetic idea of kernel let us have a more in-depth and more complete view.In this paper, the visual thinking in the pre-Qin esthetics research is divided into three parts, a total of six chapters. The introduction is about the research situation of introduction, at the same time to define the concept of visual thinking. The first part is chapter 1, discusses the visual thinking in the development of the history of the pre-Qin aesthetics. The development of the history is according to the degree of visual thinking in the pre-Qin Aesthetics present deepening and theme conversion and roughly divided into two big historical periods, namely primitive period and the period of Xia. The second part is chapter 2, the internal hierarchy analysising. In this part, this paper borrows the metaphysics and Chinese literature "as meaning" in the system for analysis and grasp the visual hierarchy. Through the two parts content to show the pre-Qin aesthetics activity the outside-in, visual thinking and its components in longitudinal and synchronic, from nature to the cognitive process of culture. The third part contains thirth.fourth and fifth chapters, this part is the core of the full text:the aesthetic activities of the pre-Qin period internal morphology analysis of visual thinking. Concrete is divided into three point of view, first of all, from the perspectives of aesthetic subject and object, on the one hand, the "vision" of the pre-Qin period is one of the aesthetic subject consciousness ability, on the other hand, the pre-Qin aesthetics of visual aesthetic object can be summed up the aesthetic concept of "Wen" to; Secondly, from the perspective of aesthetic way, this part mainly through "Space-time" visual field, full of dynamic "You" visual aesthetic characteristics. Finally, it is the perspective of aesthetic principles and ideals, which is divided into two aspects. On the one hand, at the same time as the aesthetic principles and ideals of "neutralization" category, on the other hand, is a visual and poetic thinking development relationship. Through the three angles of internal analysis, study the inner composition of visual thinking in the pre-Qin aesthetics and aesthetic characteristics, and further reveals its significance in Chinese classical aesthetic concepts and influence.The chapter 6 is the conclusion of the paper.