Psychological Laws Of The Visual Image-From Arenheim's "Map" To Gombrich's "Schema"

Since the 20th century, with the development of technology and the resulting great social changes, The lives of people facing a multi-directional changes. Accelerating pace of life in the situation in order to rely on images from the visual culture of sweeping, thus caused the visual image of their meaning and value of gradually increasing attention.However, in today's fast-paced development of human society to run the request of visual activity in everyday life give full expression to the superiority of its convenience, and the image itself also has the intuitive surface, thus the cause of the people understanding of the visual image itself only stay in the surface sense. This image is too superficial understanding of the people caused by the neglect of inner meaning, and to some extent, affected the people's aesthetic sense of art and life. Relevant scholars at home and abroad through a large number of studies have shown that the visual image on the surface of the intuitive nature of the hidden complexity of its inherent, The visual image through multi-dimensional exploration of the internal law of great theoretical results obtained. Arenheim and Gombrich art psychology from the perspective of visual perception issues on the image a unique view on the theory made a further improved.Therefore, I am in the visual image of the internal law of the process, try to visual the psychological point of visual perception,, by Arnheim and Gombrich on the visual perception of the representative works of Art "Art and Visual Perception" "Art and Illusion" and "Image and eyes" of the study and reference literature related to other important theoretical results, obtained this conclusion: the visual image is the participation of human perception were able to construct. People in the process of construction of the image also completed an Interpretation of the image. Visual images are no longer the object of contemplation as being there alone, It shows the real world is no longer rigid concrete existence of the image. Images shown is a rooted in the cultural background of each person in a particular "concept in the world." And human, as has this "concept of the world" perception of the main, their existence is a state of tense and lasting unity, is a horizontal structure, the system continuously in vertical depth and the development process. Visual images of human vital part of the visual activities should also be used as a continuous development in the past and the present to understand the whole. Therefore, the question of the image eventually be attributed to the exploration of their own. And, no matter how times the development of technology in progress, on one's own thinking and explore is the theme of eternity.