The Discussion On Yan Lianke’s Novel Creation

Yan Lianke is a unique contemporary Chinese literature, looking ahead, it is hard to find one like him that it’s so different between his later works with the former. His early creations can use realism to interpret, but it is apparently inappropriate use the traditional realist theory to measure his work since he wrote “Date” and “Hard water”,cause from this point on, great changes occurred in his writing style. He used “Godrealism” to define his later works, and criticized the realism. But this does not mean that he completely abandon realism or totally deny realism, only by changing the creation technique, in order to show the real truth rather than the fact that be covered by “cultural politics”. Such a shift of the road that it must be full of "thorn",indeed, most of his later works caused a lot of controversy. But it is undeniable,relying on the works of this creative stage, more and more people pay attention to him.With a department of sincerity novels, he entered the ranks of first-class writer.Yan Lianke is keen on social responsibility, the courage to make their voices, and the courage to seek a breakthrough attitude, which deserves our admiration and sincere service. Of course, Yan Lianke’s writing is not perfect, it also has some limitations and problems, his extreme writing lead much controversy, sometimes his works make us disgusting or despair. Nevertheless, our country needs this kind of writer to lead us to feel the “pain” of this era.It has many criticized results on the woks of Yan Lianke, and becoming a research hotspot of contemporary literature in recent years, It confirms the attention degree of Yan Lianke. In this article, It will be divided into three sections to explore Yan Lianke’s novel creation: the first chapter will use the realism of Chinese literary as a starting point, to do systematically and overall grasp about “ the series of Yao Gou”and “the series of peace camp”. The second chapter is to explore Yan Lianke’s later creation, including the basic set of “God realism”, the objective carrier of “God realism”, the content presentation of “God realism”. The third chapter is from the perspective to narrative the art features of Yan Lianke’s novels, including narrative language, narrative time and space and narrative factor content.