Research On Motif Of Ganzhuer’s Huuren-ülger Speaking Work "liang Tang Jin"

In this article, the author studies the Mongolian folk artist Ganzhuer and his Huuren-ülger “Liang Tang Jin” and discusses the motifs of Huuren-ülger. On the basis of previous studies, the author uses motif research methods to analyze the plot of Huuren-ülger, and lists the motifs of Huuren-ülger one by one.This essay consists of three parts: introduction, main body and conclusion. In the introduction part, the author states the reasons for the study, the purpose of the study, current studies as well as research methods. The first chapter provides a general overview of the life of Ganzhuer and his famous art work of Huuren-ülger, “Liang Tang Jin”. Ganzhuer is not only a brilliant folk artist but also an outstanding amateur author. “Liang Tang Jin” is one of his Huuren-ülger speeches, setting the wars as the thread, with plenty of characters, rich content and intense contradiction. The second chapter introduces the motif research methods in Mongolian folk literature, applying the motif research methods to analyze Huuren-ülger, and shows a list of all the motifs used in Huuren-ülger. The third chapter interprets the list of the motifs of Huuren-ülger and discusses the forming as well as the origin of the main motifs.Huuren-ülger is a Mongolian spoken folk literature, which is produced during the process of integration between Mongolian nomadic culture and Han Chinese farming culture. It is a special folk art in the form of talking and singing in the meantime. Through analysis we can see that the motif in Huuren-ülger not only implies the traditional motifs in Mongolian folk literature, but also the motifs in other folk literatures.