The Beauty Of Native Land-The Formation Of The British National Landscape Painting And Discussion

In the early British watercolor painting development stage, the scenery is a topic of considerable importance, and the parallel development of landscape watercolor painting the theme of works to develop continuously in the practice of British artists, through the emergence of British national landscape painting research, explore the inevitability, the British national landscape painter breakthrough classical themes limit, beyond the terrain painting expression, eventually formed their own national unique art form.Prior to eighteenth Century, Britain has always put their focus on the international renowned foreign painters, painter of their lack of attention to, there is no real sense of the national painting. By the early eighteenth Century, the British painting, watercolor painting either or, with portrait as the main theme, in portrait painting to get rid of the bondage of history painting, painted from the court figure gradually focus on the process of secular characters, scenery has been used as an accessory, play background for. Until the British famous portrait,landscape painter Gainsborough(Thomas Gainsboroough) portrait works, as the background scenery have depth, but the absolute position in the portrait and historical painting era, landscape painting won’t be taken seriously, and Gainsborough also limitations that, in addition to Italy, no scenery is worth a painting.The search for patterns in the classic mode of beauty has been broken in the British national landscape painting, 18 to nineteenth Century is the British national landscape painting creation and development period. The painter to display British natural scenery beautiful, the rules must break the conformist, illusion in landscape painting, go directly to study natural way and exploration and development and the performance of painting methods suitable for British landscape characteris-tics. The British national landscape painting and watercolors parallel development in the constant practice of British ar-tists, there is a close relationship between the development and the terrain scene graph and archaeological landscape pai-nting, which the artist in the early mostly topographic map painter.The British national landscape painting is not a well-organized group, is not a strong sense of movement in art, he is in mid eighteenth Century to mid nineteenth Century, some "personal independence of conduct" artists at the time people are not able to enjoy the national characteristics of the climate and environment conditions, adhere to the road of art and creative ideas his own, to the language of painting to express on the home’s love and life in the countryside of attachment, with their own works to arouse the masses of the national emotion.English landscape painters also started me thinking, now more and more creative works to Anhui Huangshan, Zhangjiajie and other regions, these regions have very big creation of beauty and aesthetic value, but I hope that is found around the beauty, find their own homeland.