The Study On Female Writing Of "Qing Zhen Ci"

The paper studies "Qing Zhen Ci" on the description of females.From the writing class, there are several categories in which the images descripted can roughly be divided into Geisha, wife and the aristocratic woman and others. and explore the emotional space.From the art of writing,Zhou Bangyan selected characteristic appearance, movement, manner and inner feelings to describe, construct cast depicting women discourse system, reflect female gender commonality and literati aesthetic taste. The extensive use of allusions, or is, Ming with dark or borrowing share, expand the connotation of the female writing, the word for the elegant, with great interest. From the written value consideration,the female writing is not only of rich tragic implication of Qing Zhen Ci", but also highlights the significance of gender. Zhou Bangyan also reflected "No sound" female images.The female writing in a comparative perspective, making the image more idealistic,and the language expression more elegant. Long tone manci also deliberately expressed special feelings of himself, and profoundly affected offspring poet, including Jiang Kui. In short, "Qing Zhen Ci" female writing which is set in the Northern Song Dynasty and the Southern Song Dynasty is the big opening of the typical art, and has an unique aesthetic taste, reflected Zhou’s deep concern and compassion to the females. It is a rational approach in the Northern Song dynasty women’s life, thought, emotion, attitude and personality. Because of this, The female writing of "Qing Zhen Ci" has become a typical artistic beauty, it has an extensive and far-reaching influence.