Emotion And Writing:The Female Image Of Pen From The Korea Envoys During The Ming And Qing Dynasties

During the Ming and Qing Dynasties,the Korea envoys left many records of women’s images in their travels to China,and poured their own complex emotions.This kind of emotion was a mixture of culture,history and reality.Different regions of the image of beautiful women eased the thinking of the journey to Beijing.Away from the own country,they used the image of “Parting Women” to express their passion and expression.The singer and artistry added sorrow to the long journey.In particular,after the Ming and Qing Dynasties,the Korea envoys given special meaning in the writing of female images.The historical allusion of Zhaojun’s tragic experience became its own symbol under the pen of Korea envoys,and the attitude to Qing Dynasty was changed.The reconstruction of Yang Yuhuan’ image further expressed disdain for the Qing Dynasty and bemoan for the Ming Dynasty.The changes of Meng Jiangnv’s story,the transformation of Ji Wenlan’s image and praise of virtuous women showed that Korea envoys’ faith in loyalty with female writing.On the one hand,it can demonstrate Korea’s loyalty to the Ming and Qing dynasties.This loyalty premise was the tributary system.The ethical obligations stipulated that both the Ming and Qing dynasties did not hesitate to continue betting on the national fates and kept the Korea.However,from the perspective of the completion of Korea’s “Ethical Obligations”role,especially the envoy’s insinuation and self-deprecating views about the Qing Dynasty,the loyalty was not entirely pure,and there was a seemingly divorced state.On the other hand,Korea envoys tried to use the writing of female loyalty to try to demonstrate the superiority of their own culture.However,they lacked care for women and were bound to incur martyrdom.Superficial observation and false writing of Manchu women regardless of gender and internal or external factors,this has even led to the narrow and cramped cultural views of the Korean scholars.The custom of the Chinese women’s footbinding was the desolation of the Han women against the Qing Dynasty during the eyes of Korea envoys.The reason why the custom did not change was that the non-Holy Kings were able to change their habits and customs in the Qing Dynasty.Its subtext was that they didn’t agree with the cultural context of Qing Dynasty.In contrast,the footbinding of Korean women were considered as their own great irony.From the evaluation of different female images,it can be seen that Korea envoys standing on the commanding heights of the Confucian moral and ethical standards,and evaluated the Chinese women’s standards by the demands of the Korean society on women.This was not only unfair but also lacked realistic sympathy.However,to some extent,the cultural concept that Korea envoys’ ethical significance higher than the value of life has also become the root cause of the tragic fate of women.With the Ming and Qing dynasties as a watershed,the Korea envoys’ attitude between the Ming and the Qing dynasties has difference.Although the concept of the partial Korea envoys changed with the Qing dynasty’s stability,it was implicitly derogated from the distortion of the female image.It is also commonplace to further explain that Korea has politically transferred to the Qing Dynasty,and that there was still a linguistically psychological separation,highlighting the “dual character” of the Korea envoys’ appearance of loyalty and suspicion.This hidden obsession was also destined to make Korea envoys that the re-emphasis of loyalty and the difference of Huayi were pale and powerless.