Research The Relationship Between Lin Chuan Si Meng And Fu

The literature history of ancient Chinese have been positivelychanging and alternating. With the creative experience of poetryagglomerated,odes the old form of literature inherited the Songsand the Sao came to exist and afterwards nourished all thepoetry,novels and the theatre.The theatre,which has beeninevitably influenced, grew to be an independent performance andliterary. Ignore of the relationship between the odes and the theatrein especial of Tang’s individual study,the academic circlesnowadays have dabbled in certain fields.Brilliance trecentist thatTang had been in late Ming dynasty,he is proficient in both thepoetry and theatre,and it count for our research and prolongationwhich lies on pages of classical the purple hairpin,the peonypavilion,the nanke dream and the handan record.On studying the relationship between Lin Chuan Si Meng andOde in the article there is such a problem will need to beaddressed--why Fu can exist in Opera. Scholars have alwaysconsidered it naturally results from the strong literature in earlystage to the late maturity of Opera legend. However, a certaininevitable factor hides behind this nature, that is, Pan-early prosepoems and dramatic form the symbiosis--lyrical and entertainment,which from the perspective of genetics assumed adecisive role in the integration process between the two literarystyles. Lin Chuan Si Meng is not the first and only in the Opera to useOde tracing in Yuan Zaju and other legends in Ming and Qing, but itis representative in the discussion of relationgship between LinChuan Si Meng and the Ode.The development and the entertainment spirit of The Ode inLate Ming Dynasty decided the increase of the components in LinChuan Si Meng. The direct reason why Tang Xianzu used ode in hislegends was that the " genuine feelings " he advocated had commonthings with the lyric tradition of ode. The expostulations of ode candeepen the satirical meaning of "Lin Chuan Si Meng",which wasthe practical motivation of Tang to use ode. Secondly, based on "Lin Chuan Si Meng", the ode was divided into people imitating,scene painting, dream remembering, lyrical, playful, objectshaping.Tang Xianzu had a level of literary attainments. The ode ofpeople imitating in “Lin Chuan Si Meng” was quite real and alive.The ode of scene painting was ingenious and meticulous.The ode ofdream remerbering combined happiness and sorrows. The lyricalode had straightforward words and the playful ode was funny andinteresting. The ode of object shaping was smart and vivid.This isnot only the ode types Lin Chuan Si Meng, but also the the overallcategory of drama.As for Ode in Lin Chuan Si Meng, first of all, thearticle researches the reason why Ode appears in Lin Chuan SiMeng based on Tang Xianzu’s era environment, background, life,thoughts, and Ode creation and so on.On the basis of the relationship between Lin Chuan Si Meng and Fu, could extend the whole relationship between Fu and Ode. Thispaper on the one hand attempt to figure out the relation of theatreand poetry on the basis of previous arguments in content ofliterary theatre that the poetry made it to be, and on the other handexpress a restricted brand-new view on the artistic quality of LinChuan Si Meng in form of Tang’s talent and innovations that hispoetry from the theatre conveyed.