| The research on female images is one part of the literature researches. Female images reflectliterature’s aesthetic pursuit and value orientation of one era, and reflect one nation’s development.Kazak is a grassland nomadic nation, kazakh people have had a wandering nomadic life forthousands of years. Male in Kazak fight with the environment during nomadic transitions andfemale play an important role in tibe, family and daily life. Female images have attracted manyattentions of writers in Chinese contemporary Kazakh literature. These female images with Kazakethic characteristics not only present a unique characterization technique, but also show kazakhwriters’ aesthetic tendency.In Chinese Kazak ethics moral system, there is female subordination idea which has greatlystrengthen the consciousness of women’s subrdinate and dependent, and self-consciousness andfemale consciousness is missing. In20thcentury, with women’s liberation Kazakh female becometo fight for their own fate. They take part in society activities posotively, pursue individualleberation and marriage freedom. In Chinese contemporary Kazakh literature, there are manywriters who pay attention to female fate, such as Zhumabai, Aweisihan, Yerkexi, Aikebaier,Wulazihan and so on, whose creations have many female images and display the history process.This paper attempts to comb female images in Chinese contemporary Kazakh literature andresearch on types of female images, express of female consciousness, aesthetic value and cultureconntation. This paper is divided into four parts except the conclusion.The fist part is the introduction, which introduces the purpose and meaning of the research. Itdiscusses the development of the Kazakh contempoprary literature and has a brief overview of theevolution and development of female images in Chinese contemporary Kazakh literature. Thesecond part classifies the female images shaped in contemporary Kazakh literature andsummarizes their characteristics: perseverance, strong, love, fight and intellectual and analyzestheir characteristics with details.The third part interprets women’s tragic fate from the perspectiveof gender consciousness, searches for the causes of the formation of women’s tragedy. The papershows female’s unique personality and ideal pursuit through the reconstruction ofself-examination In the last part, there are many Kazakh characteristics, regional cultures andcustoms, which vividly show the Kazakh people’s original vitality and excellent quality, and letreaders feel richful feelings of grassland and unique ethnic characteristics. |
