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The Painter Portrays To The Reflected Object Shape And Holds Himself Aloof From The World

Posted on:2015-07-26Degree:MasterType:Thesis
Country:ChinaCandidate:J QiuFull Text:PDF
GTID:2285330467476728Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
End of the19th century in the early20th century, western society under the rapid development of science and technology and economic, social prosperity is greatly increased, the world pattern basic establishment of modern society, thought art has changed, also is the new art movement should be formed in art history and traditional art fragmentation of revolution at a time.From ancient art, through several important stages, such as the Renaissance is the difference between the ancient and modem landmark movement, the new art movement is the linkage between the modern and contemporary Bridges, we see in art form and technique of expression of the change at the same time, should think about this change is not a single from the change of composition and color, its intrinsic motivation because of supply and demand change.Painting as high art the development associated with the development of the society cannot be ignored, from the beginning by the feudal rulers control subjects and forms of art, the artist gradually to emancipate the mind, half freestyle to add personal ideas to work, to completely from political, creative mode into a completely free, no thoughts of painting more puts glorious greatly. After entering the modern, the concept of "people" is more and more regarded, everyone has a right to enjoy the beauty, every person’s life should have the existence of art, artists make art into the ordinary people and it has been since the appeal.This article is divided into four chapters, the first simple ZhangXu conception, research overview of the article, the second chapter briefly describes the development process of western art history roughly, the iconic sports in western art history and factions appear what is behind in the development of the painting. The third chapter mainly elaborates the new art movement of the background and significance of klimt’s works, for example, only once threatened to western art history and the historical fragmented movement is how to abandon the old new, in the process of the innovation is not to abandon the past start again,"old" on the impact of culture on "new art" are. The fourth chapter from the perspective of social analysis has long been considered a "niche" the possibility of high art to popular art can like think about the new art movement:art is life.
Keywords/Search Tags:Traditional painting, The new art, Klimt, Development ofdrivers, The popularization
PDF Full Text Request
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