| Learning Chinese landscape painting must seriously study the spirit of ancient sagesand the power of the creative of the nature. The author, as a graduate student, who islearning the sages right in the process, deeply feel, the key way to master sage is "copy andstudy"; critical path and grasp the nature is "painting research". One of the “Four monks ofQing Dynasty†is Tao, the pen and ink landscape painting language is rich, the pen isflexible, new composition, exquisite style, especially the point method and texture,thickness from both show a hook, and. The author works for venz "pine Yun Quan","cloudand the buzzing spring","valley of Xi Ming" and other works, one by one into hisexploration of his landscape painting in the image meaning from the aspects of treatmenthook Cun and tree stone and other objects. |