The Normative Poetic Research On Five-words Poetry Of Western Jin Dynasty

The Western Jin dynasty, is one of the five-words poetry creation peak. My thesis,The Normative Poetic Research on Five-words Poetry of Western Jin Dynasty,which has four chapters.analyses the text characteristic of five-words poetry of Jin dynasty,and discuses the value of the Poems and the evaluation principles of poetry.First part of this paper is the Introduction,in which discusses the general situation of the research about Western Jin dynasty poetry since the20th century,and summary the the evaluation problem in criticism history. Then I claim the basic position in the thesis:the value of poetry was established in the normal in the poetics system.The first chapter and the second chapter mainly analyses the text of five-word and five-words gushi.The first chapter discusses the first western Jin five-words yuefu’classification problem, made clear the text’s literary tradition, and then though the poetry text analyses to evaluate the value of the text. The second chapter discusses the Western Jin dynasty’s five-words poetry,analyses its linguistic features and the poem structure,and found that poetry tradition is more significance than personal talent.The third chapter and the fourth chapter illustrates theoretically about the status of five-words poetry in Western Jin dynasty. The third chapter discusses luji’s "poem is florid account for emotion," and connects this issue with the Western Jin dynasty poetry creation, and illustrates the different classical poetics position. Based on the investigation of five-words poetry tradition specified by the paradigms of Han dynasty and Wei dynasty poetics, Chapter four points out that the western Jin dynasty five-words poetry itself is not enough to build the paradigm in its own poetry tradition,but has essential role in the history of literature.Based on the text analysis of western Jin dynasty poetry and the related classical poetic criticism to the principle of rational reconstruction, the purpose of this paper is to explore a way to understanding the meaning of classical Chinese poetics and realize its value in the context of modern academic circumstances.