The Kanto Region Sketch Landscape Research

Kanto region means Shan Haiguan east and northeast Liao Ning most areas. Kanto region has deep cultural heritage, including the shaman culture and immigrant cultural landscape; the impact of minority and outside the domain of culture. Kanto Aboriginal culture can be said to be primitive polytheism shaman culture, immigrants from the customs brought Chinese culture and Chinese immigrants shallow mestizo cultural product. Desert people dilute Kanto earth, climate, and the man closed, resulting in the northeast of the natural beauty in people’s vision and long-term in a "native state." A country abide by the traditional Cunfa northeast face painters often do nothing.That "landscape painting", seeks to highlight the significance of the landscape in the painting. As local schools Kanto painting landscapes, and traditional painting landscapes have relations lingering; 1960 s rise, is still active in the Chinese art world, "Kanto School", this desire out of painting a road belonging to the local geographical characteristics, and At that time, obviously disadvantaged Landscape Painting in the Kanto region is always in each hill, one of the separatist state. And the later establishment of new China, due to the implementation of "one-sided" policy in the culture, so that a group of creative artists in the Kanto region, condensation under the banner of realism, the overall performance of major themes to promote the national character and style of the times, indeed is the "realism" and "devouring." As a result, caused "indigestion" state and local culture mixed together, constitute a lucky hit the Kanto painting landscapes in the style "silly big black thick" features. I sketch paintings by landscape painter who Kanto region on the "silly big black thick" aesthetic connotation depth analysis, Kanto region sketching landscape painter who has always insisted on realistic artistic expression of life, to create life. Finally, clarify painter behavior, relationships painter perceptual and rational thinking of the author’s analysis, research methods provide a universal significance for promoting the Northeast art history studies.