Creative Consciousness Of Contemporary Experimental Images From The Reverseflow Of The Narrattve Point Of View

China contemporary experimental video began in twentieth Century80, after90years of rapid development. The trend of economic Globalization and information globalization provides a new platform for the creation of artistic image, image artists created a large number of very personal concept of different types of experimental video works by linguistic context global context and local advantages.Dream, pioneering and experimental are characteristic of experimental image,and the image to actually experience is different from the general narrative, so it has obvious anti narrative. In most cases, the narrative is a limited concept, just for the subversion and destruction within a historical narrative method. The so-called anti narrative, in fact or in the narrative, just for an experimental narrative structure, narrative language.The contemporary image of China was started later than western, but since then,it began to practice continuously. The experimental image began as a record form of ideas or device, after it all the content and theme of the experimental image appeared. The Changes of creation consciousness in experimental image, on the one hand is the changes of creation background to a source in the global and local context, on the other is also the creator of the exploring practice and subjective of artistic recreation for the objective world. When the process changes are occurring in the subject of art and media of it was used, the art has changed, then the artist’s concept has also changed. The body of the experimental creation in consciousness and unconsciousness,contributed to use the method of antinarrative.Both from a macro or micro perspective, using experimental history antinarrative throughout the experimental image, image experimental history is a history of treason, subversion, antinarrative, although the image China has been marginalized in the artistic status, but artists have never stopped the experimental creation. To explore the narrative theme, narrative language,narrative time, space, perspective, structure of the experiment with a strong narrative, speaking from a certain meaning antinarrative can be used as a new means of creation consciousness and existence.This paper is in research of an deep study of China’s creative consciousness experimental image in the situation of development and change from the antinarrative to today. This article is divided into five parts, the first part is the introduction, clarifies,the background, research object, research content, research purpose and significance.It provides a brief understanding of the research status of experimental image, to provide the basis for further research. The second part, first is the background and conceptual of china contemporary experimental image have been over viewed, then to defining the concept of the origin of the antinarrative and creation consciousness, narrative, picture narrative, film narrative, image antinarrative and subject.The third and the fourth chapter parted from the macro view and micro view creation to sort out the presence of antinarrative and anti narrative in the experimental images on the China experimental images of contemporary consciousness changing. The fifth is the antinarrative used for the experimental image has important significance of social, aesthetic. cultural value realization in the context of the "Chinese" and"contemporary".