| As a unique artistic language form of contemporary painting, new figurative painting has experienced development and renewal of a longer period of time, forming the unique artistic appearance today. It embodies the charm is not just specific image reproduction visual images themselves, Current new figurative painting also has a thought-provoking effect from the angles of technology itself and transference. Although the current new figurative painting language is still in practice, it has played a certain role in promoting Chinese art development on aspects of artistic innovation and exploration.When modern western concept first enters into Chinese art field in an opening form, some artists no longer create in accordance with the common understanding of the society, but face the life with a new philosophy. Each person can start from a different experience and an unique way to describe the world he has seen. Many artists flatly refuse the traditional historical narration of artistic creation. They start to care about the experience of individuals, concern the original state of individual life and the spiritual world, with their works highlighting the factors of daily life, thus forming new aesthetic principles. Among them, a set of contemporary art groups whose works are characterized with absurdity on creation themes and expression techniques, gradually form a unique personal style and create many shocking works. Of course, strong personal creation tendency does not mean giving up the concern of social reality. Art creators should understand the society more from a personal standpoint, and express their emotion and attitude to the reality with their unique ways. This paper focuses on the absurdity language in new figurative painting, hoping to promote the deep understanding of "absurdity" language of oil paintings, exploring the practical significance of "absurdity" to Chinese contemporary painting art and self-examining the existence and value of "absurdity" in Chinese new figurative painting under the influence of western concept, through discussing the absurdity factors in new figurative painting and analyzing works of specific painters. |