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The Study On Space Display In The Landscape Paintings Of Song Dynasty

Posted on:2015-01-09Degree:MasterType:Thesis
Country:ChinaCandidate:K K GuanFull Text:PDF
GTID:2285330431494415Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Scroll as a form Chinese painting, is the ancient literati painting creation andcriticism with a carrier. In many China draw shapes, although the scroll paintingshave other types in common, but also has its uniqueness. First of all, the scroll is a kind of goods is very suitable for the private space of the play andappreciation, its display mode is non public space in nature, with an enclosed space and entertain. Furthermore, the scroll of the views in the process, because the manpower intervention controls the picture of the folding and unfolding, so the time dimension is imperceptibly was added to the space movement in advance to make long, only in the process of time, can slowly read unexpandedcontent. The formation of the scroll of the repeated and continuous upornamental particularity, the performance of scroll screen space and othershapes are not the same, with its inner space consciousness and humanisticquality.Landscape painting in Song Dynasty is a peak period, performance space to study scroll to scroll painting of Song Dynasty, has the model significance in the form, also can realize scene transformation in space. Therefore, the first chapter of this paper is mainly to discuss the hand "view" and "travel", namely in theviewing scroll paintings, the viewer is how to through the screen sceneperception, arouse desire to really reach a state of landscape. The second chapter mainly discusses the background of the Song Dynasty landscape painting, manifestation of this special form long space, such as the "concept oflaw" and "three" in the embodiment of the scroll, the creator is how the ever-changing nature breathing to silk. The third chapter is the combination of the scroll of the views of this way,"walking King" effect in the scroll in the wonderful deduction and spatial structure. The fourth chapter is to discuss the relationship between rhythm and space expression of Song Dynasty scroll landscape painting, the "virtual" and "blank" in the construction of space.Special through the above discussion to grasp the Song Dynasty scroll paintingspace, positive significance to thinking long given space, space form and theidea of the formation of the scroll. And on how to better inherit from thelandscape painting creation, how to analysis and reading form Chinese painting,provide more possibility and reference for the practice China painting.
Keywords/Search Tags:song, handscroll, performance space
PDF Full Text Request
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