Aesthetic Visual Angle Study Of Zhang Yimou "Impression" Seires

In a large performance of real landscape swept the country many tourist attractionstoday, as Zhang Yimou ’s first "Impression" series is one of the best performances."Impression Liu Sanjie","Impression Lijiang","Impression West Lake" as therepresentative of "Impression" series of large-scale performance of real landscape, withits unique geographical expression and rich style, in the domestic arts market set off awave of waves. This article will Zhang Yimou’s "Impression" series as a holisticaesthetic text to study, trying to analyze "Impression" series of aesthetic resources startto explore the unique aesthetic perspective it presents the new era.Reproduction and performance "Impression" series of aesthetic resources aremainly concentrated in three areas. First, the reproduction of the natural landscape in thebackground of the development of cultural and creative industries, in folklore tours,cultural tours, tours to experience the spirit of the consumption structure is increasinglyoccupied people today, Zhang Yimou’s "Impression" series, the show has become anintegral part of the natural landscape of carrier and roles inherently fit the aestheticsensibility of modernity to promote the return, on this basis, and inheritance from a longhistory of relying on nature worship. Second, the performance of the unique folklore-Third Sister Liu culture and original cultural environment."Impression" to Liusanjieculture as the foundation to live performance in the form of the natural landscape andthe local production and living, folk costumes, such as water and milk intertwinedaesthetic unfolded, to construct its new era of national cultural identity, so that theaudience not only enjoy the performances, but also in the feelings of the countryman ’slife."Impression Lijiang" is based on the performance of the Naxi culturalperformances in the form of original cultural environment. Third, the "Impression"series of the performance of "Heaven" traditional aesthetic spirit.For "Impression" series of aesthetic resources presented, this paper focuses onZhang Yimou’s "Impression" series of aesthetic characteristics and impact were studied.First, from the methods of expression, rather Zhang Yimou studied music freehandfreehand artistic characteristics and the use of color freehand technique. Second, fromthe expression of the center, studied the "Impression " series on the life and emotionalspace of poetic polish-return and pay tribute to the aesthetic sensibility of dailyprocesses. Zhang studied "Impression" series presented by the aesthetic characteristics:entertainment, technology. Finally, the practical significance and historical impact of"Impression" series beckons traditional folk arts.In the cultural context of globalization and the consumer society, the local cultureand market-oriented industrial development objectives under the urgent need clearbackground, Zhang Yimou’s "Impression" series will be the transformation of local traditional folk art performances for consumer modern art, to achieve the culture, thedepth of creativity and technology (the core of the cultural and creative industries) ofthe three integration. It should also be seen Zhang Yimou "Impression" series, there aresome shortcomings and worthy of reflection. As exhibitions of art, in a way,marketization and industrialization of operations for the cultural elements of thefragmented performance, inspiration for the current development of cultural andcreative industries, weakening audience aesthetic capabilities.