The Lack Of Chinese Disaster Film And Its Development Strategy Research

Chinese disaster film produced in1957, after50years of development, has not been awider audience and director, less quantity, poor quality and low box office is the mostintuitive situation Chinese disaster film, compared to Hollywood disaster film gap isobvious.Chinese disaster film in the process of XieShiHua, adhering to the traditional Chinesemovie history, in accordance with Chinese cultural development track. Early Chinesedisaster film as a political propaganda tool, with the main melody features, based on simple,a single plot, narrative gently, feeling the characteristics of the plain continues to this day.Since entering the21st century, with the development of China and the Chinese film,although disaster movie producers support on investment, but still on the verge of a Chinesefilm. So far, the development of China’s disaster films are still at the stage of more difficult,to create a real disaster scene technology lag behind, money is not enough, and culturalbackground of Chinese traditional characteristic in the history of Chinese film, the lack ofdisaster movie. Hollywood disaster film in often get good box office at the same time, theChinese film should also reflect on: the lack of disaster movie. Disaster films become one ofthe board of the Chinese film, fall behind of the computer technology is on the one hand,more important is the Chinese film ideas and physical problem, hindering China’sdevelopment and the disaster film, and other types of movies.Is precisely because of this, this study focus on the present situation of Chinese disasterfilm, and found in the status quo of China’s disaster film in the play writing, narrative modeand strategy, characterization, setting the scene, the lack of visual perception, missingaccording to its reason is analyzed, at last, the author of the study, puts forward somestrategy on the development of Chinese disaster film can better.As a result, the author concludes that China wants to enter movie world powers, musthas the new breakthrough in various types of film. In today’s era of peace and developmentas the theme, disaster influence human’s life, a more sustained the hearts of the people all over the world. As one of the weak Chinese film development of disaster movie, shouldaccording to their own characteristics and the development of the localization of style toquantitative change seeks to qualitative change, formed its own unique disaster narratives,to attract the audience’s eye, China and the world abandon the backward old ideas, throughthe subject matter, the script, the innovation of the emotion to add the new scene of Chinesedisaster film, this is China’s vast filmmakers want to see the final result.