Korean Disaster Film Research

The Korea Disaster Film was born on "The Monster of the Han River".Based on the characteristics of Hollywood's disaster movies,it successfully achieved a perfect leap in localization.To date,more than ten films have been produced in Korean disaster movies.Three of them are among the top fifteen at the box office in Korea.Since the advent of Korean disaster movies,it has been highly praised by domestic audiences and has gradually formed a“ characteristic disaster movie ” based on Korean national culture.With its unique country characteristics,it has successfully realized the localization of type films.Looking at the Korean disaster type film,it is not difficult to find its unique and profound national cultural imprint,which reflects the national psychological,cultural awareness,human appeal,crisis reflection and other grand propositions showing a clear "Korea culture style." This article will analyze and demonstrate Korea's disaster movies in the perspective of Korean national culture,examine and comment on its unique aesthetic values and cultural connotations from cultural perspectives,aesthetic features,meaning expressions,narrative strategies,and so on to China and other countries.The development of films of the same type provides useful experience.The introduction part mainly introduces the research significance of this topic,the research status of this topic at home and abroad,and the conceptual definition of the basis of this topic.The first chapter mainly analyzes the types and themes of Korean disaster movies.It analyzes the "type" characteristics and "type" elements of reference and fusion in Korean disaster movies,and the innovation and fusion of other types of movie types.It successfully realizes the local innovation of disaster-type movies;and it is also the theme of Korean Korean disaster movies.Degrees were refined,summarized and summarized.The author believes that compared with Western disaster movies,Korean disaster movies highlight the unique national and social and cultural themes.The second chapter starts from the three perspectives of local culture,Confucian culture and national psychology,and reveals the unique value of assessing Korean disaster movies.Any type of movie has a unique native culture and national social and psychological slogan that can arouse the resonance and enlightenment of audiences with the same emotional experience and cultural background.Korean disaster movies are no exception,especially to top three Korean box office.The film reflects the cultural connotation of the nation and the social psychology of the nation deeply,and becomes a visual representation of the "collective unconsciousness" of the Korean people.The third chapter analyzes and demonstrates the narrative strategies and aesthetic effects in Korean disaster films.This chapter mainly analyzes the unique narrative strategies and aesthetic effects of Korea's disaster movies from similar perspectives,narrative spacetime,and narrative structure.The fourth chapter closely discusses the angles of market,industry,national system,policy,and text characteristics,and demonstrates the successful localization of Korean disaster movies from positive and negative perspectives,and the problems and deficiencies of Korean disaster movies as a certain type of movie.The concluding remarks are briefly compared with the development context and the current situation of the films of the same type in China,pointing out what deficiencies exist in the development of the type of Chinese catastrophic films and how to capture the successful experience of Korean disaster movies.