Parade Of God And Acting

With a long history and deep mass basis, Piaose art prevailing in Guangdong is animportant intangible cultural heritage of Lingnan area. This paper chooses the GuangdongShawan as a typical example to analyze the historical origin and regional distribution ofPiaose art, and also to analyze the perform forms, procedure and culture essence of Piaose artboth from the aspect of the religious sacrifice ceremony and performing art. Based on theseanalyses, we further discuss the unique aesthetic taste and value of Piaose art.Revolving around the thoughts mentioned above, this paper is mainly carried out in thefollowing four aspects: At first, I introduce the origination and evolvement of GuangdongPiaose art. Piaose art comes from the Taige art of the north, and combine with the local artChujinghui, then form the unique characteristics of the Lingnan style of folk art. Themodeling feature of Shawan Piaose art comes from the color terrier production of the iron artin plam. Then I expound the feature of Piaose parade that as the village fete ceremony. Thenatives believe through the medium of the Piaose parade they could communicate with deity.The worship and taboo of the ritual embody the worship of the north emperor. In the thirdpart, I analyze the aesthetic feature of Guangdong Piaose art, including modelling, decorationand performance and so on. In this way, Piaose art is totally different from traditional stagedrama performance and festooned vehicle parade. At last, I analyze the aesthetic taste andculture function of Guangdong Piaose art in three aspects: the aesthetic estimate of child actor,The pursuit of the perfect psychological, and the changes of modelling.The innovation of this paper is that a thorough research of Guangdong Piaose art isperformed from the standpoint of aesthetics, which expands the artistic value and educationalfunction of Piaose art as an intangible cultural heritage, and has a realistic meaning in theaspect of spreading the regional folk culture and promoting the protection and exploitation ofthe intangible culture heritage as well as having an academic value. Meanwhile, this paperhave adopted the methodology of combining the literature study and field work, which can betreated as an innovation of academic conception.