A Study On The Structure And Technology Of Women 's Clothing In

In this paper, I try to research the Zhuang women’s wear in black with "living fossil" of Zhuang culture. I inspected Zhuang women’s wear in black at Napo Guangxi, took pictures of the all manufacturing process, from dyeing spinning, cutting, sewing to decorative arts, and then summed up the structure and function characteristics of tradition Zhuang women’s wear. I extracted the essence of traditional costumes craftsman-ship and its unique artistic expression and found out the relationship between the "technical" and "art" of Zhuang women’s wear. Basis on this, I explored the way of modified and came up with the measures of protect-tion and inheritance.Focus on the theory of folk culture dress aesthetics. Combining with field research trips,1analysed the structure and craft of Zhuang women’s wear in black. Made up for the deficiencies of studying on the characteri-zation and contempt for the structure of China’s traditional garment culture. And searched the connotation of Zhuang women’s wear. It belongs to typical "Cross" flat structure, perpetuated by holistic and flat features of Chinese garment flat cutting, With distinctive local characteristics, Reflecting frugality and worship. It embodies the unique aesthetic and worship of their native beliefs. This provides data and pictures for further research and perpetuate the workmanship of lost Zhuang national costume.